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  • Published: 1 September 2010
  • ISBN: 9781407015415
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 496

Mary Barton




'Gaskell's shocking, moving and contemporary account of the corrosive effects of injustice and poverty' Sunday Telegraph


'Gaskell's shocking, moving and contemporary account of the corrosive effects of injustice and poverty' Sunday Telegraph
Mary Barton is the pretty daughter of a factory worker who finds herself dreaming of a better life when the mill-owner's charming son, Henry, starts to court her. She rejects her childhood friend Jem's affections in the hope of marrying Henry and escaping from the hard and bitter life that is the fate of the workers, who are resentfully dependent on the callous mill-owners for their livelihoods. But when Henry is shot dead in the street Jem becomes the prime suspect and Mary finds her loyalties tested to the limit.

  • Published: 1 September 2010
  • ISBN: 9781407015415
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 496

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About the author

Elizabeth Gaskell

Elizabeth Cleghorn Gaskell was born in London in 1810, but she spent her formative years in Cheshire, Stratford-upon-Avon and the north of England. In 1832 she married the Reverend William Gaskell, who became well known as the minister of the Unitarian Chapel in Manchester's Cross Street. As well as leading a busy domestic life as minister's wife and mother of four daughters, she worked among the poor, traveled frequently and wrote. Mary Barton (1848) was her first success.

Two years later she began writing for Dickens's magazine, Household Words, to which she contributed fiction for the next thirteen years, notably a further industrial novel, North and South (1855). In 1850 she met and secured the friendship of Charlotte Brontë. After Charlotte's death in March 1855, Patrick Brontë chose his daughter's friend and fellow-novelist to write The Life of Charlotte Brontë (1857), a probing and sympathetic account, that has attained classic stature.

Elizabeth Gaskell's position as a clergyman's wife and as a successful writer introduced her to a wide circle of friends, both from the professional world of Manchester and from the larger literary world. Her output was substantial and completely professional. Dickens discovered her resilient strength of character when trying to impose his views on her as editor of Household Words. She proved that she was not to be bullied, even by such a strong-willed man.

Her later works, Sylvia's Lovers (1863), Cousin Phillis (1864) and Wives and Daughters (1866) reveal that she was continuing to develop her writing in new literary directions. Elizabeth Gaskell died suddenly in November 1865.

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Praise for Mary Barton

Mary Barton is the first and arguably the finest of them. In it, early trade-union radicalism and competition between old industrial methods and new is the background to a powerful, often heartbreaking depiction of real rather than ideal Victorian family life

Independent

A story of scandal, class conflict and bitter rivalry

Guardian

Elizabeth Gaskell, or Mrs Gaskell as she was known, also produced what has been called the first social novel. The living conditions she witnessed daily in her work among poor mill labourers spurred her to write a novel that would prick the social conscience of industrial Britain, while spinning a gripping yarn. It worked. "People on Turkish carpets," wrote one reviewer, "with their three meat meals a day, are wondering why working men turn Chartists and Communists. Do they want to know why? Let them read Mary Barton"

Independent on Sunday

People who read her always come away surprised at how modern she sounds. You don't have to think yourself into her century in order to sympathise, since her guiding principle was no more or less than a sense of practical, day-today justice, totally outside the abiding gentleman-lady-peasant-donkey-peasant's wife hierarchy which surrounded her.

Zoe Williams, Evening Standard