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  • Published: 2 July 2002
  • ISBN: 9780141906874
  • Imprint: Penguin eBooks
  • Format: EBook
  • Pages: 368

Ward No. 6 and Other Stories, 1892-1895




A collection of nine of Chekhov's short stories from the middle period of his life

These stories from the middle period of Chekhov's career show him exploring complex, ambiguous and often extreme emotions. Influenced by his own experiences as a doctor, 'Ward No. 6', set in a mental hospital, is a savage indictment of the medical profession. 'The Black Monk', portraying an academic who has strange hallucinations, explores ideas of genius and insanity; in 'Murder', religious fervour leads to violence; while in 'The Student', Chekhov's favourite story, a young man recounts a tale from the gospels and undergoes a spiritual epiphany. In all the stories collected here, Chekhov's characters face madness, alienation and frustration before they experience brief, ephemeral moments of insight, often earned at great cost, where they confront the reality of their existence.

  • Published: 2 July 2002
  • ISBN: 9780141906874
  • Imprint: Penguin eBooks
  • Format: EBook
  • Pages: 368

Other books in the series

The New Penguin Book Of American Short Stories, From Washington Irving To Lydia Davis
A Dog's Heart
The Black Tulip
The Lady of the Camellias
Selected Poetry
On Sparta
Man and Superman
Saint Joan
Botchan
Military Dispatches

About the author

Anton Chekhov

Anton Pavlovich Chekhov (1860–1904) was a Russian playwright and short story writer who is considered to be among the greatest writers of short fiction in history. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theater. Chekhov practiced as a medical doctor throughout most of his literary career: "Medicine is my lawful wife," he once said, "and literature is my mistress." Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Constantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text." Chekhov had at first written stories only for financial gain, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them.  Anton Chekhov was the author of hundreds of short stories and several plays and is regarded by many as both the greatest Russian storyteller and the father of modern drama. 

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