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  • Published: 27 January 2005
  • ISBN: 9780141915708
  • Imprint: Penguin eBooks
  • Format: EBook
  • Pages: 416

The Steppe and Other Stories, 1887-91




A collection of eight of Chekhov's finest early stories.

This collection of Chekhov's finest early writing reveals a young writer mastering the art of the short story. 'The Steppe', which established his reputation, is the unforgettable tale of a boy's journey to a new school in Kiev, travelling through majestic landscapes towards an unknown destiny. 'Gusev' depicts an ocean voyage, where the sea takes on a terrifying, primeval power; 'The Kiss' portrays a shy soldier's failed romantic encounter; and in 'The Duel' two men's enmity ends in farce. Haunting and highly atmospheric, all the stories in this volume show a writer emerging from the shadow of his masters - Tolstoy, Turgenev and Gogol - and discovering his own voice. They also illustrate Chekhov's genius for evoking the natural world and exploring inner lives.

  • Published: 27 January 2005
  • ISBN: 9780141915708
  • Imprint: Penguin eBooks
  • Format: EBook
  • Pages: 416

Other books in the series

Russian Thinkers
The New Penguin Book Of American Short Stories, From Washington Irving To Lydia Davis
When You Are Old
The Black Tulip
The Lady of the Camellias
The Good Soldier
Selected Poetry
Man and Superman
Military Dispatches
The Prelude

About the author

Anton Chekhov

ANTON CHEKHOV (1860–1904) is regarded as one of the world’s masters of the short story. The son of a hapless shopkeeper and grandson of a former serf, Chekhov began at the age of twenty to support his family through the publication of magazine pieces. The writing of these short works—many of which were collected in English for the first time in Seven Stories’ Undiscovered Chekhov and Little Apples—served as the author’s apprenticeship in literature, which was undertaken simultaneously with his studies to become a doctor. Both of these educations would leave their mark on the rising author. By the 1890s Chekhov had moved on to weightier journals, and he had drifted away from the practice of medicine; but his work would always be characterized by the copywriter’s vividness and the sober exactitude of a scientist. In an age of literary aristocrats, Chekhov did as much as any modern writer to democratize the profession. He used his talent to examine the lives of street urchins, déclassé provincials and frustrated reformers. By the time of his death from tuberculosis in 1904, all Russia and much of the world had taken heed of his credo: “For chemists there is nothing unclean on the earth. The writer must be as objective as the chemist.”

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