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  • Published: 29 November 1991
  • ISBN: 9781857150193
  • Imprint: Everyman
  • Format: Hardback
  • Pages: 176
  • RRP: $39.99

The Great Gatsby




VINTAGE DECO: Nine blazing, daring novels to celebrate the 1920s - 100 years on.

'In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars'

The world and his mistress are at Jay Gatsby's party. But Gatsby stands apart from the crowd, isolated by a secret longing. In between sips of champagne his guests speculate about their mysterious host. Some say he's a bootlegger. Others swear he was a German spy during the war. They lean in and whisper 'he killed a man once'. Just where is Gatsby from and what is the obsession that drives him?

VINTAGE DECO: Nine blazing, daring novels to celebrate the 1920s - 100 years on.

  • Published: 29 November 1991
  • ISBN: 9781857150193
  • Imprint: Everyman
  • Format: Hardback
  • Pages: 176
  • RRP: $39.99

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About the author

F Scott Fitzgerald

F. Scott Fitzgerald (1896 -1940) is widely considered the poet laureate of the Jazz Age. He wrote many short stories and four novels, This Side of Paradise, The Beautiful and the Damned, Tender is the Night and The Great Gatsby. An unfinished novel, The Last Tycoon, was published posthumously.

F. Scott Fitzgerald was born in 1896 in St Paul, Minnesota, and went to Princeton University, which he left in 1917 to join the army. He was said to have epitomized the Jazz Age, which he himself defined as 'a generation grown up to find all Gods dead, all wars fought, all faiths in man shaken'. In 1920 he married Zelda Sayre. Their traumatic marriage and her subsequent breakdowns became the leading influence on his writing. Among his publications were five novels, This Side of Paradise, The Great Gatsby, The Beautiful and the Damned, Tender is the Night and The Last Tycoon (his last and unfinished work); six volumes of short stories and The Crack Up, a selection of autobiographical pieces.

Fitzgerald died suddenly in 1940. After his death The New York Times said of him that 'He was better than he knew, for in fact and in the literary sense he invented a 'generation'. . . he might have interpreted and even guided them, as in their midle years they saw a different and nobler freedom threatened with destruction.'

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