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What is the truth? In this blistering story of a ghost writer haunted by his demonic subject, the Man Booker Prize winner turns to lies, crime and literature with devastating effect.

About to go to trial for defrauding the banks of millions, con man and corporate criminal Siegfried Heidl offers broke writer Kif Kehlmann a deal he can’t refuse: $10,000 for Kehlmann to ghost write his memoir in six weeks.

As the deadline draws closer and Heidl grows increasingly erratic, Kehlmann becomes unsure if he is ghost writing a memoir or if Heidl is rewriting him – his life, his future.

As tension slowly mounts, boundaries and identities blur, everything that was certain grows uncertain, and the young writer finds himself no longer sure if he is Kif Kehlmann – or a murderous criminal.

‘At a time when truth is daily contorted, debauched or ignored, we require Flanagan’s artful reminder of the wreckage caused by our unwillingness to say what happened.' - Washington Post

‘Both comic and frightening … Touched with the virtuosity that shone so brightly in The Narrow Road to the Deep North that are pure Flanagan … Studded with sharp, breath-catching observations about the finite nature of life.’ — Financial Times

‘Powerful, funny, disturbing, moving … Flanagan candidly and honestly confronts the raw truths of the writing life and the family life, material and spiritual poverty, love and despair and desire.’ - Australian

‘A triumph … a parable for the age of Trump … As harrowing a book as any I’ve read.’ Weekend Australian

‘brilliant … full of hilarious asides, this sonorous, blackly comic novel offers searing insight into our times.’ — Booklist (US)

Reviews

Flanagan’s best work to date.

Readings magazine

. . . a tour de force from one of our greatest contemporary writers.

The Australian Women’s Weekly

The real joy of [First Person] is the intensity of its honesty and its writing. This is a book of demonic possession, of obsession, and there’s a zinger of thought, of expression, in every paragraph.

Phillip Adams, The Australian

Undeniably fascinating . . . a real page turner.

Peter Kenneally, The Sydney Morning Herald

A smart, slippery novel . . . Electric.

Daily Mail

Scathingly funny . . . but this is also a profound and thought-provoking novel that explores the nature of truth, lies, and fiction.

The Bookseller

First Person is studded with sharp, breath-catching observations about the finite nature of life.

Financial Times

As unsettling as it is inspired.

Esquire (UK)

Flanagan has written a Kurtz for our time

Sydney Review of Books

First Person is both comic and frightening. At times I caught a glimpse of Money-era Martin Amis in Flanagan’s satirical asides on the Australian publishing industry… And there’s a hint, too, of an epochal gloom that is redolent of the The Great Gatsby. Yet there are also passages touched with the virtuosity that shone so brightly in The Narrow Road that are pure Flanagan… Studded with sharp, breath-catching observations about the finite nature of life

Financial Times

A black comedy about the unreliability of memory and the warped values of modern publishing . . . the beauty of First Person is the way it blossoms into a much richer novel than that outline scenario suggests . . . readable and thought-provoking

Mail on Sunday

The brilliance of the novel is the portrayal of [Heidl’s and Kif’s] interaction, their clashes and ultimate union . . . Flanagan is the sort of writer you wish you could be.

Otago Daily Times

The narrator of this novel is an angsty aspiring novelist who is summoned from Tasmania to Melbourne for a ghostwriting assignment. His subject, an infamous con man called Ziggy, is infuriatingly evasive. “I have been missing since I was born,” he offers by way of an origin story. As the ghostwriter contends with underworld escapades, farcical publishing-industry posturing, and his gnomic subject, he becomes obsessed with the boundary between fiction and reality. Flanagan cannot quite make Ziggy’s magnetism or sinister influence plausible, but the novel, with its switchbacking recollections and cyclical dialogue, its penetrating scenes of birth and, eventually, death, is enigmatic and mesmerizing.

The New Yorker

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Formats & editions

  • Paperback

    9780143787259

    July 2, 2018

    Penguin

    480 pages

    RRP $22.99

    Online retailers

    • Abbey's Bookshop
    • Amazon
    • Angus & Robertson Bookworld
    • Booktopia
    • Boomerang Books
    • Collins Booksellers
    • Dymocks
    • Books Kinokuniya
    • The Nile
    • QBD
    • Readings
    • Robinsons Bookshop
    Or

    Find your local bookstore at booksellers.org.au

  • Hardback

    9780143787242

    October 2, 2017

    Knopf Australia

    480 pages

    RRP $39.99

    Online retailers

    • Abbey's Bookshop
    • Amazon
    • Angus & Robertson Bookworld
    • Booktopia
    • Boomerang Books
    • Collins Booksellers
    • Dymocks
    • Books Kinokuniya
    • The Nile
    • QBD
    • Readings
    • Robinsons Bookshop
    Or

    Find your local bookstore at booksellers.org.au

  • EBook

    9780143787266

    October 2, 2017

    Random House Australia

    480 pages

    Online retailers

    • iBooks
    • Amazon Kindle
    • Booktopia
    • eBooks
    • Google Play
    • Kobo

Extract

Our first battle was birth. I wanted it in, he wanted it out. All that day and half of the next we argued. He said it had nothing to do with him. Later I began to see his point, but at the time it seemed bloody-mindedness and evidence of an inexplicable obstruction—as though he didn’t actually want any memoir ever written. Of course, he didn’t want a memoir written, but that wasn’t his point. Or the point. But I only realised this later, much later, when I came to fear that the beginning of that book was also the end of me.

Too late, in other words.

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Article
Eyecatchers

Vintage Creative Director Suzanne Dean discusses creating the artwork for First Person.

Also by Richard Flanagan

The Narrow Road to the Deep North
Seize the Fire
Notes on an Exodus
The Great Australian Writers' Collection 2013
Out of a Wild Sea
Out of a Wild Sea (Storycuts)
The Sound Of One Hand Clapping
Gould's Book Of Fish
Death Of A River Guide
The Unknown Terrorist
And What Do You Do, Mr Gable?
Wanting

Recommendations

The Handmaid's Tale
To Kill A Mockingbird
A Gentleman in Moscow
Echo Burning
The Girl on the Train
The Curious Incident of the Dog in the Night-time
Dragonfly In Amber
The Heart's Invisible Furies
The Narrow Road to the Deep North
The Golden House
On Chesil Beach
Breath
Ready Player One
The Trip of a Lifetime
The Light Between Oceans
Colombiano
The Travelling Cat Chronicles
Animal Farm
Sanctuary
Norwegian Wood