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  • Published: 3 May 2012
  • ISBN: 9781448106325
  • Imprint: Cornerstone Digital
  • Format: EBook
  • Pages: 336

The Panopticon




JENNI FAGAN HAS BEEN NAMED AS ONE OF GRANTA MAGAZINE'S BEST OF YOUNG BRITISH NOVELISTS 2013The Panopticon is a bold, shocking and heartbreaking story of a young girl in a care homeSHORTLISTED FOR THE JAMES TAIT BLACK PRIZE FOR FICTION AND THE DESMOND ELLIOTT PRIZE 2013NAMED ONE OF THE 50 BEST SCOTTISH BOOKS OF THE LAST 50 YEARS BY THE SCOTSMAN

JENNI FAGAN HAS BEEN NAMED AS ONE OF GRANTA MAGAZINE'S BEST OF YOUNG BRITISH NOVELISTS 2013SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE FOR FICTION AND THE DESMOND ELLIOTT PRIZE 2013

Fifteen-year old Anais Hendricks is smart, funny and fierce, but she is also a child who has been let down, or worse, by just about every adult she has ever met. Sitting in the back of a police car, she finds herself headed for the Panopticon, a home for chronic young offenders where the social workers are as suspicious as its residents. But Anais can't remember the events that have led her there, or why she has blood on her school uniform...

  • Published: 3 May 2012
  • ISBN: 9781448106325
  • Imprint: Cornerstone Digital
  • Format: EBook
  • Pages: 336

About the author

Jenni Fagan

Jenni Fagan was born in Scotland. She graduated from Greenwich University and won a scholarship to the Royal Holloway MFA programme. She is currently completing her PhD at the University of Edinburgh. A published poet and novelist, she has won awards from Creative Scotland, Dewar Arts and Scottish Screen among others, and has twice been nominated for the Pushcart Prize. Jenni was selected as one of Granta’s Best Young British Novelists after the publication of her debut novel, The Panopticon, which was shortlisted for the Desmond Elliott Prize and the James Tait Black Prize. Her adaptation of The Panopticon was staged by the National Theatre of Scotland to great acclaim. The Sunlight Pilgrims, her second novel, was shortlisted for the Royal Society of Literature Encore Award and the Saltire Fiction Book of the Year Award, and saw her win Scottish Author of the Year at the Herald Culture Awards. She lives in Edinburgh with her son.

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Praise for The Panopticon

It’s in the Margaret Atwood/The Handmaid’s Tale veinvery literary and suspenseful…Set in an altered reality – one that feels familiar and yet deeply unfamiliar, that embodies some of the dailiness of life, and yet slowly reveals itself to be a very different, much more sinister place.

Gillian Flynn, author of GONE GIRL

Each page sparkles with the ebullient and sinister magic of great storytelling ... An utterly magnificent achievement.

Irvine Welsh

Not just uncompromising and courageous. I think it's one of the most cunning and spirited novels I've read for years... An intelligent and deeply literary novel.

Ali Smith

Written with great verve and brio ... An astonishing debut, I have a feeling that Fagan is a name we will hear more of.

Jackie Kay

The 15-year-old heroine and narrator, has a rough, raw, joyous voice that leaps right off the page and grabs you by the throat…This punkish young philosopher is struggling with a terrible past, while battling sinister social workers…The glorious Anais is unforgettable.

The Times

It is the most assured and intriguing first novel by a Scottish writer that I have read in a decade, a book which is lithely and poetically written, politically and morally brave and simply unforgettable. ... As a debut, The Panopticon does everything it should. It announces a major new star in the firmament.

Stuart Kelly, Scotsman

Jenni Fagan is the real thing, and The Panopticon is a real treat: maturely alive to the pains of maturing, and cleverly amused as well as appalled by what it finds in the world.

Andrew Motion

An indictment of the care system, this dazzling and distinctive novel has at its heart an unstoppable heroineFagan’s prose is fierce, funny and brilliant at capturing her heroine’s sparky smartness and vulnerability…Emotionally explosive.

Marie Claire

Ferocious and devastating, The Panopticon sounds a battle-cry on behalf of the abandoned, the battered, and the betrayed. To call it a good novel is not good enough: this is an important novel, a book with a conscience, a passionate challenge to the powers-that-be. Jenni Fagan smashes every possible euphemism for adolescent intimacy and adolescent violence, and she does it with tenderness and even humour. Hats off to Jenni Fagan! I will be recommending this book to everyone I know.

Eleanor Catton, author of The Rehearsal

Reminiscent of Girl, Interrupted…The novel is as bold, shocking and intelligent as its central character…The institutional details (magnolia walls, screwed-down chairs) anchor The Panopticon in realism, giving it a greater bite. Much of Anais’ life is the stuff of tabloid shock stories and The Panopticon’s strength lies in giving you an insight into the lonely, damaged girl behind the headlines…This week’s winner.

Stylist

[a] confident and deftly wrought debut…[Anais’] voice is compellingly realised.

Financial Times

Fagan's writing is taut and controlled and the dialogue crackles.

The Herald

[The narrator] is engagingly drawn by Fagan, who has created a character possessed of intellectual curiosity and individual quirksWritten with great verveFagan has a clear voice, an unflinching feel for the complexity of the teenage mindset, and an awareness of the burden we impose on children…What’s intriguing here – particularly in a Scottish fiction landscape that can display too much of the plodding everyday – is her effort to lift the story of teen misadventure into a heightened realm of intellectual aspiration and quasi-sci-fi notions of sinister social change.

Scotland on Sunday

Fagan is writing about important stuff: the losers, the lonely, most of them women…[Anais] maintains a cool, smart, pretty, witty and wise persona.

Lucy Ellman, Guardian

one of the most revelatory debut novels from a Scottish author in some time.

The Herald

punchy and startlingly accomplished

Financial Times

Fagan’s writing is astonishing... On the strength of this book, Fagan more than deserves her place on the recent Granta list of young British novelists. She’s a major talent whose work should be widely recognised. The Panopticon is a weird, gorgeous, utterly unplaceable work of fiction that’s hilarious, uplifting, dirty and real. I fell in love with it from the first page and then struggled for weeks to put my feelings about it into words.

The Bookbag

Fagan’s novel peers into the world inhabited by forgotten children, and, in Anais, gives us a heartbreakingly intelligent and sensitive heroine wrapped in an impossibly impenetrable exterior. Readers won’t be able to tear themselves away from this transcendent debut.

Booklist, starred review

this book is as warm as it is bone-chilling… This amazing book manages to be both a condemnation of all that is wrong in our society and the care system in particular, and a wonderful testament to a person’s will to live a better life, all at the same time. It is no surprise that Jenni Fagan was included in Granta’s list of twenty most promising British authors under the age of 40. If she can bring her clear voice and wonderful storytelling skills to future books, Jenni Fagan is one writer we will be hearing a lot more about in years to come.

Nudgemenow

Written with great verve and brio ... An astonishing debut, I have a feeling that Fagan is a name we will hear more of.

Jackie Kay

An indictment of the care system, this dazzling and distinctive novel has at its heart an unstoppable heroineFagan’s prose is fierce, funny and brilliant at capturing her heroine’s sparky smartness and vulnerability…Emotionally explosive.

Marie Claire

[a] confident and deftly wrought debut…[Anais’] voice is compellingly realised.

Financial Times

Fagan's writing is taut and controlled and the dialogue crackles.

The Herald

[The narrator] is engagingly drawn by Fagan, who has created a character possessed of intellectual curiosity and individual quirksWritten with great verveFagan has a clear voice, an unflinching feel for the complexity of the teenage mindset, and an awareness of the burden we impose on children…What’s intriguing here – particularly in a Scottish fiction landscape that can display too much of the plodding everyday – is her effort to lift the story of teen misadventure into a heightened realm of intellectual aspiration and quasi-sci-fi notions of sinister social change.

Scotland on Sunday

Fagan is writing about important stuff: the losers, the lonely, most of them women…[Anais] maintains a cool, smart, pretty, witty and wise persona.

Lucy Ellman, Guardian

one of the most revelatory debut novels from a Scottish author in some time.

The Herald

punchy and startlingly accomplished

Financial Times

Fagan’s novel peers into the world inhabited by forgotten children, and, in Anais, gives us a heartbreakingly intelligent and sensitive heroine wrapped in an impossibly impenetrable exterior. Readers won’t be able to tear themselves away from this transcendent debut.

Booklist, starred review

this book is as warm as it is bone-chilling… This amazing book manages to be both a condemnation of all that is wrong in our society and the care system in particular, and a wonderful testament to a person’s will to live a better life, all at the same time. It is no surprise that Jenni Fagan was included in Granta’s list of twenty most promising British authors under the age of 40. If she can bring her clear voice and wonderful storytelling skills to future books, Jenni Fagan is one writer we will be hearing a lot more about in years to come.

Nudgemenow

Each page sparkles with the ebullient and sinister magic of great storytelling ... An utterly magnificent achievement.

Irvine Welsh

Not just uncompromising and courageous. I think it's one of the most cunning and spirited novels I've read for years... An intelligent and deeply literary novel.

Ali Smith

The 15-year-old heroine and narrator, has a rough, raw, joyous voice that leaps right off the page and grabs you by the throat…This punkish young philosopher is struggling with a terrible past, while battling sinister social workers…The glorious Anais is unforgettable.

The Times

It is the most assured and intriguing first novel by a Scottish writer that I have read in a decade, a book which is lithely and poetically written, politically and morally brave and simply unforgettable. ... As a debut, The Panopticon does everything it should. It announces a major new star in the firmament.

Stuart Kelly, Scotsman

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