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  • Published: 4 May 2021
  • ISBN: 9781784707941
  • Imprint: Vintage
  • Format: Paperback
  • Pages: 432
  • RRP: $24.99

The Beauty and the Terror

An Alternative History of the Italian Renaissance

An imaginative and revelatory new history of the Italian Renaissance that challenges our preconceptions of the era


'Brilliant and gripping, here is the full true Renaissance in a history of compelling originality and freshness' Simon Sebag Montefiore

The Italian Renaissance shaped Western culture - but it was far stranger and darker than many of us realise. We know the Mona Lisa for her smile, but not that she was married to a slave-trader. We revere Leonardo da Vinci for his art, but few now appreciate his ingenious designs for weaponry. We visit Florence to see Michelangelo's David, but hear nothing of the massacre that forced the republic's surrender. In fact, many of the Renaissance's most celebrated artists and thinkers emerged not during the celebrated 'rebirth' of the fifteenth century but amidst the death and destruction of the sixteenth century.
The Beauty and the Terror is an enrapturing narrative which includes the forgotten women writers, Jewish merchants, mercenaries, prostitutes, farmers and citizens who lived the Renaissance every day. Brimming with life, it takes us closer than ever before to the reality of this astonishing era, and its meaning for today.

'Terrifying and fascinating' Sunday Times
'Enlightening...exactly the alternative history you might wish for' Daily Telegraph

  • Published: 4 May 2021
  • ISBN: 9781784707941
  • Imprint: Vintage
  • Format: Paperback
  • Pages: 432
  • RRP: $24.99

About the author

Catherine Fletcher

Catherine Fletcher is a historian of Renaissance and early modern Europe. Her previous books include The Black Prince of Florence: The Spectacular Life and Treacherous World of Alessandro de' Medici and The Divorce of Henry VIII: The Untold Story. Catherine is Professor of History at Manchester Metropolitan University and broadcasts regularly for the BBC.

Also by Catherine Fletcher

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Praise for The Beauty and the Terror

Catherine Fletcher's eye for the skewering detail makes the citizens of renaissance Florence live again

Hilary Mantel, on The Black Prince of Florence

Astonishing . gripping and original . a compelling portrait

Financial Times on The Black Prince of Florence

Packed with intrigue . Fletcher describes with cool menace the plotting and politicking . rought splendidly to life in this excellent book

Dan Jones, Sunday Times on The Black Prince of Florence

Brilliant and gripping, here is the full true Renaissance in a history of compelling originality and freshness, revealing the filth and thuggery, slavery, sex, slaughter and skulduggery behind the exquisite art of Leonardo and Michelangelo

SIMON SEBAG MONTEFIORE, author of Jerusalem and The Romanovs

A wonderfully dark, gritty, hard-edged tour behind the scenes of the Italian Renaissance. Catherine Fletcher is an expert and eloquent guide through the fire, blood and steel that inspired some of the greatest art in the world

JESSIE CHILDS, author of God's Traitors

Leading us into the world of the high Italian Renaissance in all its rich, blood-soaked glory, Catherine Fletcher shows us how the violent energies of war gave birth to some of the greatest art ever seen. Devastating in its detail, The Beauty and the Terror is a powerful, intimate and deeply humane portrait of this age of extreme destruction and exceptional creativity

THOMAS PENN, author of Winter King and Brothers York

Impressive and lucid . Fletcher's narration excels in such colourful details . a scholarly, but vivid history that shows the impact that the machinations of the great, good and not so good had on the insignificant . a persuasive account of how Italy was brought low even as the culture floated high

Michael Prodger, The Times

Terrifying and fascinating ... If you thought the Renaissance was all about beautiful pictures and the 'rediscovery' of Classical writing, you are quite wrong . The Beauty and the Terror dismantles our assumptions about the Renaissance with the precision of a wheellock arquebus . an ambitious, multifocal book, encompassing more than 150 years [that] shine[s] a light on figures often forgotten in conventional histories

Mary Wellesley, Sunday Times

An approach that enables her to touch on many aspects of this complex time . Above all, it is the women who interest Fletcher, whether painters, poets, politicians or prostitutes . an absorbing read

Mary Hollingsworth, Literary Review

Richly well-informed and admirably well-written, containing material of real interest on every page ... has added a wealth of information that will be new to most of us

Noel Malcolm, Sunday Telegraph

Fletcher's expertise is enviable . she knows better than anyone else just how treacherous a time and place it was. At its best, The Beauty and the Terror is as enlightening as you might hope: a chapter tracing early modern ambivalence about the rise of handguns . is exactly the alternative history you might wish for, as are the sections on slavery, sexual mores and pornography

Tim Smith-Laing, Daily Telegraph

A story of alliances, betrayals, sacks, sieges, famines, assassinations and gruesomely ingenious tortures . Fletcher navigates this difficult terrain with great skill. She creates atmosphere and drama without any surrendering of clarity... A powerful book

Charles Nicholl, Guardian

[A] magnificent introduction to the history of the era . Fletcher's book covers not just the wars and Renaissance art but also Italy's political systems, courtly ceremonies, the Protestant Reformation and Catholic renewal, anti-Semitism, European colonialism, slavery, military techno­logies, early efforts at gun control, women's poetry and even pornography . Fletcher shows how digging below the artistic and commercial riches of Renaissance Italy can reveal strong connections between culture, business, religion and violence

Financial Times

A finely-written, engaging and clear essay. The force of Fletcher's narrative is not so much in offering a radical new evaluation of Italian Renaissance civilisation as in insisting that we see it as a cluster of cultural strategies and techniques within an exceptionally turbulent political milieu

Rowan Williams, New Statesman

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