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  • Published: 2 October 2006
  • ISBN: 9780099421887
  • Imprint: Vintage
  • Format: Paperback
  • Pages: 416
  • RRP: $19.99

Shalimar the Clown




'This is Rushdie at his most flamboyant best' John Sutherland, Financial Times

'Rushdie's most engaging book since Midnight's Children' Observer

Shalimar the Clown was once a figure full of love and laughter. His skill as a tightrope walker was legendary in his native home of Kashmir. But fate has played him cruelly, torn him away from his beloved home and brought him to Los Angeles, where he works as a chauffeur. One morning he gets up, goes to work, and brutally slays his employer, America's former counter-terrorist chief Maximilian Ophuls, in full view of the victim's illegitimate daughter, India. Despite the political overtones, it soon emerges that this is a murder with a much darker heart to it.

The killing has its roots halfway across the globe, back in Kashmir, a ruined paradise not so much lost as shattered. And gradually it emerges that beyond this unholy trinity of Max, India and Shalimar, lurks a fourth, shadowy figure, one who binds them all together.

'This is Rushdie at his most flamboyant best' Financial Times

  • Published: 2 October 2006
  • ISBN: 9780099421887
  • Imprint: Vintage
  • Format: Paperback
  • Pages: 416
  • RRP: $19.99

About the author

Salman Rushdie

Salman Rushdie is the author of thirteen previous novels – Grimus, Midnight’s Children (for which he won the Booker Prize and the Best of the Booker), Shame, The Satanic Verses, Haroun and the Sea of Stories, The Moor’s Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown, The Enchantress of Florence, Luka and the Fire of Life, Two Years, Eight Months, and Twenty-Eight Nights, and The Golden House – and one collection of short stories: East, West. He has also published four works of non-fiction – Joseph Anton, The Jaguar Smile, Imaginary Homelands, and Step Across This Line – and co-edited two anthologies, Mirrorwork and Best American Short Stories 2008. He is a member of the American Academy of Arts and Letters and a Distinguished Writer in Residence at New York University. A former president of PEN American Center, Rushdie was knighted in 2007 for services to literature.

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Praise for Shalimar the Clown

A brilliant symphony... Exceptional... One of Rushdie's best novels yet

Independent

Extraordinary... Worth engaging with at every level; a thrilling story told in thrilling language

The Times

Shalimar the Clown is Rushdie's most engaging book since Midnight's Children. It is a lament. It is a revenge story. it is a love story. And it is a warning

Observer

Deeply disturbing and immensely moving... An exquisite, broken thing of pain and beauty

Independent

Excellent... A characteristically daring walk along the tightrope of fiction

Sunday Telegraph

This is an important book... Wonderful

The Times

I'd say it's his best novel yet

Daily Telegraph

There are some breathtakingly eloquent passages

Spectator

Passionate, well-informed

London Review of Books

The story is exciting and memorably analyses the way in which fanaticism can wreck the most inoffensive lives

Mail on Sunday

Shalimar unites the gaudy, romantic love-revenge-death conceits of grand opera with the down-and-dirty preoccupations of contemporary politics... Here are rollicking storytelling, virtuosic language, a smidgeon of magical-realist special effects and, yes, dead-on dialogue

Newsday

There are great sweeping set-pieces, like the maharajah's abortive banquet just after Partition, as the old tolerant order is swept away in a thunderstorm that recalls the climactic scene in Midnight's Children. There are reams of biting satire on the Indian army's myopia or the intransigence of the jihadists, a potpourri of portents, a clash of multi-dimensional symbolism, and also, amid the gradual assemblage of tragedy, unexpected flashes of comedy

Scotsman

Shalimar the Clown finds [Rushdie]...writing at his best

Evening Standard

Rushdie is back on tip-top form with his inimitable high-octane prose

Tatler Magazine

Rushdie combines the wonder of fairy tale with the grittiness of hard, political realism

Observer

Like his best work, it traverses tumultuous passages of national history

Daily Telegraph

A sprawling tale of love and politics... A daring aesthetic and political balancing act that traffics in many of the major concerns of post-colonial literature, but always within an evolving and bravely empathetic story... One of Rushdie's best, and an important and rewarding must-read

National Post

Read Shalimar the Clown for the effervescent fun factor that is always present in Rushdie's work...and for its devastating portrait of the destruction of Kashmir

Globe and Mail

A masterly deployment of interconnected narratives spanning six decades... Dazzling... A magical-realist masterpiece that equals, and arguably surpasses, the achievements of Midnight's Children, Shame and The Moor's Last Sigh... The Swedes won't dare to offend Islam by giving Rushdie the Nobel Prize he deserves more than any other living writer. Injustice rules

Kirkus Reviews

The transformation of Shalimar into a terrorist is easily the most impressive achievement of the book, and here one must congratulate Rushdie for having made artistic capital out of his own suffering, for the years spent under police protection, hunted by zealots, have been poured into the novel in ways which ring hideously true... Shalimar the Clown is a powerful parable about the willing and unwilling subversion of multiculturalism

Publishers Weekly

An epic tale of murder and adultery across the East-West divide

The Tablet

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