Runaway Horses

In Runaway Horses Mishima writes of a desire to destroy or subvert beauty at its height, thus strengthening its appeal and preventing its slow decay

New York Times

One of the great writers of the twentieth century

Los Angeles Times

Mishima's novels exude a monstrous and compulsive weirdness, and seem to take place in a kind of purgatory for the depraved

Angela Carter

This tetralogy is considered one of Yukio Mishima's greatest works. It could also be considered a catalogue of Mishima's obsessions with death, sexuality and the samurai ethic. Spanning much of the 20th century, the tetralogy begins in 1912 when Shigekuni Honda is a young man and ends in the 1960s with Honda old and unable to distinguish reality from illusion. En route, the books chronicle the changes in Japan that meant the devaluation of the samurai tradition and the waning of the aristocracy

Washington Post

Mishima succeeded, unlike any other writer before him, in creating a glittering alloy of Eastern and Western traditions, classical and contemporary forms

New York Times

Japan's foremost man of letters

Spectator

In Runaway Horses Mishima writes of a desire to destroy or subvert beauty at its height, thus strengthening its appeal and preventing its slow decay

New York Times

One of the great writers of the twentieth century

Los Angeles Times

Mishima succeeded, unlike any other writer before him, in creating a glittering alloy of Eastern and Western traditions, classical and contemporary forms

New York Times

This tetralogy is considered one of Yukio Mishima's greatest works. It could also be considered a catalogue of Mishima's obsessions with death, sexuality and the samurai ethic. Spanning much of the 20th century, the tetralogy begins in 1912 when Shigekuni Honda is a young man and ends in the 1960s with Honda old and unable to distinguish reality from illusion. En route, the books chronicle the changes in Japan that meant the devaluation of the samurai tradition and the waning of the aristocracy

Washington Post

Mishima's novels exude a monstrous and compulsive weirdness, and seem to take place in a kind of purgatory for the depraved

Angela Carter

Japan's foremost man of letters

Spectator