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  • Published: 31 January 2013
  • ISBN: 9781446485002
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 176

Revenge




Elegant, pocket-sized paperbacks, VINTAGE Editions celebrate the audacity and ambition of the written word, transporting readers to wherever in the world literary innovation may be found

FROM THE AUTHOR OF THE MEMORY POLICE

'A conspicuously gifted writer…To read Ogawa is to enter a dreamlike state tinged with a nightmare, and her stories continue to haunt. She possesses an effortless, glassy, eerie brilliance' Guardian

Murderers and mourners, mothers and children, lovers and innocent bystanders – locked in the embrace of an ominous and darkly beautiful web, their fates all converge through the eleven stories here in Yoko Ogawa’s Revenge. As tales of the macabre pass from character to character – an aspiring writer, a successful surgeon, a cabaret singer, a lonely craftsman – Ogawa provides us with a slice of life that is resplendent in its chaos, enthralling in its passion and chilling in its cruelty.

Translated by Stephen Snyder

Elegant, pocket-sized paperbacks, VINTAGE Editions celebrate the audacity and ambition of the written word, transporting readers to wherever in the world literary innovation may be found.

  • Published: 31 January 2013
  • ISBN: 9781446485002
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 176

About the author

Yoko Ogawa

Yoko Ogawa has won every major Japanese literary award. Her fiction has appeared in the New Yorker, A Public Space and Zoetrope. Her works include The Diving Pool, a collection of three novellas, The Housekeeper and the Professor, Hotel Iris and Revenge.

Also by Yoko Ogawa

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Praise for Revenge

Odd, quirky and unusual, and sure to linger in the mind for days afterwards

Nudge

Tightly constructed, these stories also pack a surprisingly emotional punch. A darkly moving, dazzling and intelligent book

5 stars, Lady

Across eleven dark tales, Ogawa has created an entire universe… Revenge is full of beautifully pitched short stories, with a depth that defies brevity, but it also pushed the boundaries of what a collection of short stories can be

Irish Examiner

A conspicuously gifted writer…To read Ogawa is to enter a dreamlike state tinged with a nightmare, and her stories continue to haunt. She possesses an effortless, glassy, eerie brilliance.

Guardian

Ogawa is original, elegant, very disturbing

Hilary Mantel

[Revenge] Erupts into the ordinary world as if from the unconscious or the grave…. A haunting introduction to her work… the overall effect is [that of] David Lynch: the rot that lurks beneath the surface

Economist

Magnificently macabre… Ogawa is the Japanese master of dread… These tales are not for the faint of heart, but Ms. Ogawa is more "Masque of the Red Death" than she is The Ring. She elevates herself above any limitations of the genre she's working in

New York Observer

Fittingly, each tale seems to be its own torture chamber--dark and meticulous… More disturbing than the bloody imagery is the eerie calm with which each plot unfolds, as if one act of violence must necessarily transform into the portal for another

New Yorker

Ogawa is original, elegant, very disturbing. I admire any writer who dares to work on this uneasy territory - we're on the edge of the unspeakable. The stories seem to penetrate right to the heart of the world and find it a cold and eerie place. There are no narrative tricks, but the stories generate a surprising amount of tension. You feel as if you've touched an icy hand

Hilary Mantel

Deceptively elegant...written in such lucid, unpretentious language that reading it is like looking into a deep pool of clear water. But even in the clearest waters can lurk currents you don't see until you are in them. Dive into Yoko Ogawa's world...and you find yourself tugged by forces more felt than seen

New York Times Book Review

The odd stories of Yoko Ogawa errupt from the ordinary world as if from the unconscious or the grave… Ogawa has said her work is influenced by Haruki Murakami’s magic-realist style. There are fantastic flashes, such as a woman born with a heart outside her body. Yet the overall effect is more David Lynch: the rot that lurks beneath the surface of the world… The result is spectral connectedness. Ms Ogawa understands the consolations of order within apparent randomness

Economist

Always eerie, often erotic, full of living ghosts and uncanny visitations, Yoko Ogawa’s terse and spooky fiction folds Japan’s supernatural tradition into her idiosyncratic brand of Asian goth

Independent

Haunting…using economical and precise language, Ogawa conveys intensity of emotion

Times Literary Supplement

Like her better-known compatriot Haruki Murakami, Ogawa writes stories that float free of any specific culture, anchoring themselves instead in the landscape of the mind

Washington Post Book World

Highly original

Paul Auster

Yoko Ogawa is able to give expression to the most subtle workings of human psychology in prose that is gentle yet penetrating

Kenzaburo Oe