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  • Published: 15 June 2018
  • ISBN: 9781405937535
  • Imprint: Michael Joseph
  • Format: Paperback
  • Pages: 240
  • RRP: $27.99

Going Solo




A WW2 RAF memoir from the world's number one storyteller, Roald Dahl, part of the Centenary Collection (100 Years of the RAF)

In 1918, the RAF was established as the world's first independent air force. To mark the 100th anniversary of its creation, Penguin are publishing the Centenary Collection, a series of six classic books highlighting the skill, heroism esprit de corps that have characterised the Royal Air Force throughout its first century.

'They didn't think for one moment that they would find anything but a burnt-out fuselage and a charred skeleton; and they were apparently astounded when they came upon my still-breathing body, lying in the sand near by.'

In 1938 Roald Dahl was fresh out of school and bound for his first job in Africa, hoping to find adventure far from home. However, he got far more excitement than he bargained for when the outbreak of the Second World War led him to join the RAF. His account of his experiences in Africa, crashing a plane in the Western Desert, rescue and recovery from his horrific injuries in Alexandria, and many other daring deeds, recreates a world as bizarre and unnerving as any he wrote about in his fiction.

  • Published: 15 June 2018
  • ISBN: 9781405937535
  • Imprint: Michael Joseph
  • Format: Paperback
  • Pages: 240
  • RRP: $27.99

Other books in the series

About the author

Roald Dahl

When he was at school Roald Dahl received terrible reports for his writing - with one teacher actually writing in his report, 'I have never met a boy who so persistently writes the exact opposite of what he means. He seems incapable of marshalling his thoughts on paper!' After finishing school Roald Dahl, in search of adventure, travelled to East Africa to work for a company called Shell. In Africa he learnt to speak Swahili, drove from diamond mines to gold mines, and survived a bout of malaria where his temperature reached 105.5 degrees (that's very high!). With the outbreak of the Second World War Roald Dahl joined the RAF. But being nearly two metres tall he found himself squashed into his fighter plane, knees around his ears and head jutting forward. Tragically of the 20 men in his squadron, Roald Dahl was one of only three to survive. Roald wrote about these experiences in his books Boy and Going Solo. Later in the war Roald Dahl was sent to America. It was there that he met famous author C.S. Forester (author of the Captain Hornblower series) who asked the young pilot to write down his war experiences for a story he was writing. Forester was amazed by the result, telling Roald 'I'm bowled over. Your piece is marvellous. It is the work of a gifted writer. I didn't touch a word of it.' (an opinion which would have been news to Roald's early teachers!). Forester sent Roald Dahl's work straight to the Saturday Evening Post. Roald Dahl's growing success as an author led him to meet many famous people including Walt Disney, Franklin Roosevelt, and the movie star Patricia Neal. Patricia and Roald were married only one year after they met! The couple bought a house in Great Missenden called Gipsy House. It was here that Roald Dahl began to tell his five children made-up bedtime stories and from those that he began to consider writing stories for children. An old wooden shed in the back garden, with a wingbacked armchair, a sleeping bag to keep out the cold, an old suitcase to prop his feet on and always, always six yellow pencils at his hand, was where Roald created the worlds of The BFG, The Witches, James and the Giant Peach, Charlie and the Chocolate Factory and many, many more.

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Praise for Going Solo

His account of life as a fighter pilot in the Western Desert and n Greece has the thrilling intensity and the occasional grotesqueness of his fiction

Sunday Times

Very nearly as grotesque as his fiction. The same compulsive blend of wide-eyed innocence and fascination with danger and horror

Evening Standard

A non-stop demonstration of expert raconteurship

The new York Times Book Review