- Published: 15 March 2018
- ISBN: 9780857503107
- Imprint: Bantam
- Format: Paperback
- Pages: 416
- RRP: $24.99
Bryant & May - Wild Chamber
(Bryant & May Book 15)
- Published: 15 March 2018
- ISBN: 9780857503107
- Imprint: Bantam
- Format: Paperback
- Pages: 416
- RRP: $24.99
Probably the most popular detective duo since the passing of Reginald Hill’s Dalziel and Pascoe.
SHOTS magazine
I’ll make a prediction now – Wild Chamber will be in my top five books for 2017. Bryant and May continue to be at the top of their game, and in some ways the novels are improving with age . . . there’s no author quite like Christopher Fowler, and there are no characters quite like Arthur Bryant and John May. There are a multitude of facets to Wild Chamber which make it stand out . . . Fowler is London born and bred, and his love for the city and all its eccentricities clearly comes through in the narrative. .
CRIMEFICTIONLOVER
A joy to read. It's intelligent crime fiction that’s accessible to everyone.
CRIMEPIECES
Delightfully entertaining . . . I for one, think this is incredibly clever. Fowler richly deserves his CWA Library Award.
THE BOOKBAG
These books are clever, inventive and wonderfully original – and we simply can’t get enough of them. Prepare to be enchanted.
DEAD GOOD BOOKS
Fowler is, among other things, a comic genius. He mines the rich and productive seam of peculiarly English comedy which gave us George and Weedon Grossmith, J B ‘Beachcomber’ Morton, the sublime pretensions of Anthony Aloysius Hancock and the surreal world of Basil Fawlty. The book is full of great gags and very good one-liners. Such is the rich entertainment that Fowler serves up – bravura writing, poignancy, compassion, complex plotting, biting humour and a unique view of London’s landscape – that it doesn’t really matter who did what to whom, but he stays staunch and true to the crime fiction genre and gives us the answer to the intricate whodunnit he has constructed. If you love an intriguing murder plot, sparkling humour, wonderful scene-setting and brilliantly stylish writing, then get hold of a copy of this. You won’t be sorry.
FULLY BOOKED
Don’t make the mistake of thinking that these novels are on the cosy side. Despite the artful plotting, the nostalgic view of an England we have lost, the in-jokes, and the warmth Fowler shares with anyone who loves London, there is dark side. Death is a frequent caller, and when we answer the door, he is not draped in a discreet undertaker’s sheet, but is red in tooth and claw. Christopher Fowler is unique in contemporary English fiction. He blends Golden Age crime with the poetic insights of John Betjeman, the gimlet eye of Charles Dickens and Peter Ackroyd’s dark nostalgia.
CRIME FICTION LOVER