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  • Published: 1 November 2012
  • ISBN: 9781742749440
  • Imprint: Random House Australia
  • Format: EBook
  • Pages: 320

Black Mirror




‘I am waiting for this visitor so that I can tell my story and die.’ The award-winning novel from Gail Jones

‘I am waiting for this visitor so that I can tell my story and die.’ The award-winning novel from Gail Jones

Victoria Morrell was once a great artist. She led the high life - living and working in Paris, mixing with the artists of the Surrealist movement. Her work was largely forgotten in the fifties and sixties, but was rediscovered in the seventies when she became something of a cult figure on the London art scene. She now lives as a recluse in Hampstead, London. And she is dying.

Anna Griffin is the young woman commissioned to write a biography of Victoria's life. In many ways their lives strangely intersect, since they grew up in the same mining town and share preoccupations with underground spaces, deserts and the many forms of grief. In a compelling double narrative, Gail Jones tracks Victoria's past as it intertwines with Anna's life.

The stories Victoria tells enable both women to enter into new forms of sympathy and understanding. Elegant, enthralling, and emotionally charged, Black Mirror is both a novel of love and family mystery, and a meditation on the nature of artistic vision and obsession.

  • Published: 1 November 2012
  • ISBN: 9781742749440
  • Imprint: Random House Australia
  • Format: EBook
  • Pages: 320

About the author

Gail Jones

Gail Jones is one of Australia’s most celebrated writers. She is the author of two short-story collections and ten novels, and her work has been translated into several languages and has received numerous literary awards. Originally from Western Australia, she now lives in Sydney.

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Praise for Black Mirror

‘There is an intelligence and honesty to her writing that brings the characters powerfully to life.’ - The Age, Melbourne

‘A moving and captivating story... a feast for lovers of language.’ - Melbourne Times

‘Jones’s imagery is evocative... wonderful turns of phrase.’ - The Bulletin