Author: Tim Winton
Book Club Notes for Cloudstreet by Tim Winton
Tim Winton's Cloudstreet is a book about finding one's place in the world and the search for meaning in life. From separate catastrophes two rural families flee to the city and find themselves sharing a great, breathing, shuddering joint called Cloudstreet, where they begin their lives again from scratch. For twenty years they roister and rankle, laugh and curse until the roof over their heads becomes a home for their hearts. Tim Winton's funny, sprawling saga is an epic novel of love and acceptance. Winner of the Miles Franklin and NBC Awards in Australia, Cloudstreet is a celebration of people, places and rhythms which has fuelled imaginations world-wide.
The book follows the two families from the time they leave their rural homes and move into Cloudstreet, a big, old house in Perth. Both moves are precipitated by disaster. For the
Lambs, this misfortune takes the form of the near-drowning of the family favourite, Samson, better known as Fish; for the Pickles, it occurs in the loss of father Sam's fingers in a fishing
accident. These mishaps mean that both 'Sams' - like the biblical Samson - lose some of their strengths, but they also gain new opportunities and insights. Sam Pickles's move to the
city brings him a home of his own and a job at the mint - a stroke of poetic justice for a man addicted to gambling. Although Fish loses his mental faculties as a result of his accident and is unable to communicate with the outside world, his near-drowning and subsequent bond with water also lead him to a new life as a visionary, and it is this 'other' Fish who is the omniscient narrator of the novel.
The two families are a study in contrasts, 'squared off at one another like opposing platoons'. The Lambs are righteous, God-fearing, hard working and parsimonious while the Pickles are licentious wastrels. The Lambs find meaning in industry and in God's grace; the Pickles, in luck. The Lambs' God is a maker of miracles; the Pickles' God is the 'Shifty Shadow' of fate. Both families are often betrayed by their faith.
Cloudstreet belongs to an Australian cultural tradition of family sagas and yarns - as well as to that universal tradition of telling stories in order to find meaning in the chaos of
existence. Each of its characters carries with them a small 'history' which, in turn, becomes part of a complicated, rambling series of stories. Seen together, these strands convey
the idea that we are all, in our hearts, inextricably linked to each other via the networks we are part of: family, suburb, city, nation. Rose Pickles decides to return to Cloudstreet
with Quick because, 'It's like getting another childhood, another go at things...It's like a village.' Like every character in the book, Rose's personal narrative is underpinned by a search for love and the certainties of the past. The search for meaning in life can thus be summarised in one word, love - although Tim Winton might call it 'grace'. This state of love or grace is described in the opening scenes of the book: 'The whole restless mob of us on spread blankets in the dreamy briny sunshine skylarking and chiacking about for one day, one clear, clean, sweet day in a good world in the midst of our living.'
About the Author
Tim Winton was born in Perth in 1960. He has written many much-loved books for children and adults. His work is published in many countries and languages and his stories have been made into plays and films. Time lives with his family by the sea in Western Australia, and often writes about the sea in his books. His is a patron of the Australian Marine Conservation Society and has campaigned to save Western Australia's Ningaloo Reef from development.
Book Club Discussion Questions
1. Tim Winton was twenty-two when his first book was published and thirty when he completed Cloudstreet. As a result, he has often been described as one of Australia's most
precocious writers. Do you think Cloudstreet reflects the preoccupations of youth?
2. Coastal places, water, fishing and boating often provide both sources of action and symbolic power in Tim Winton's work. How central are they to Cloudstreet? Would you describe it as a 'coastal' novel?
3. Winton has remarked that Australians have become 'very suburban' and 'don't know anything about the outdoors. Their dads and mums did, and their grandparents did. We are only one generation from the farm, but you'd be surprised at how little people know.' Does Cloudstreet celebrate the 'outdoors' or the suburbs or both? Do you think it seeks to
remind people of their rural roots?
4. 'Celebration' is a word often used to describe Winton's themes. He praises 'ordinary' people's lives. What particular aspects of human existence does Cloudstreet celebrate?
5. Spirituality is explored in Cloudstreet in a variety of ways and Winton has admitted to religious faith being a powerful influence on his writing. What do you see as the tenets of his faith as revealed in this novel?
6. 'From me to you, the river. In me and you, the river. Of me, and you, the river.' This utterance by Fish is reminiscent of the signs of the cross as made in Christian prayer. In your opinion, is Fish praying to the river, to the unseen presence of God, or to something else entirely?
7. Do you think the differences between Cloudstreet's two families, the Pickles and the Lambs, are representative of two different strands in the cultural make-up of white Australians?
8. The 'Shifty Shadow' of fate figures as a potent force in Cloudstreet. Do you think Winton celebrates or bemoans its power in people's lives? How fatalistic do you think his view
of the world is?
9. Cloudstreet demonstrates the 'brute force' and originality of Winton's language. If you dissect one paragraph you'll find that he never uses clichéd similes, verbs or adjectives.
Take this passage: 'Just near the crest of the hill where the sun is ducking down, the old flatbed Chev gives up the fight and stalls quiet. Out on the tray the kids groan like an opera. All around, the bush has gone the colour of a cold roast ...Birds scuffle out of
sight. There's no wind, though the Chev gives out a steamy fart.'
In your view, is language like this descriptive and exciting, or is it at times difficult? Is Winton's use of language something that strikes you about his writing, or is it so integral to his work that you don't notice how different it is?
10. Cloudstreet is an imaginative flight of fancy which expects the reader to believe in Fish's 'other world' of water. How convincingly does Winton make the reader believe that
such things as talking pigs exist?
11. Cloudstreet is set in Perth in the years following World War 2. How much do we learn about the social changes which were developing at this time from reading the novel?
12. In view of the picture Cloudstreet paints of life in the fifties, would you describe it as a work of nostalgia? Is it nostalgic in other ways?