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  • Published: 1 November 1994
  • ISBN: 9780099909002
  • Imprint: Arrow
  • Format: Paperback
  • Pages: 192
  • RRP: $22.99
Categories:

To Have and Have Not





Hemingway's classic novel about smuggling, intrigue and love, from the Nobel Prize-winning author of A Farewell to Arms.

Harry Morgan was hard - the classic Hemingway hero - rum-running, gun-running and man-running from Cuba to the Florida Keys in the Depression.

He ran risks, too, from stray coastguard bullets and sudden double-crosses. But it was the only way he could keep his boat, keep his independence, and keep his belly full...

This classic novella was turned into a brilliant film by Howard Hawks - the film in which Humphrey Bogart and Lauren Becall met - and remains an important work by one of the greatest American novelists of the twentieth century.

  • Published: 1 November 1994
  • ISBN: 9780099909002
  • Imprint: Arrow
  • Format: Paperback
  • Pages: 192
  • RRP: $22.99
Categories:

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Praise for To Have and Have Not

This active, passionate life on the verge of the tropics is perfect material for the Hemingway style, and the reader carries away from the book a sense of freshness and exhilaration

New Statesman

Absorbing and moving. It opens with a fusillade of bullets, reaches its climax with another, and sustains a high pitch of excitement throughout

Times Literary Supplement

Its tragic scenes are rendered with an economy of words and a power that might well be the despair of a lesser writer

Scotsman

Absorbing and moving. It opens with a fusillade of bullets, reaches its climax with another, and sustains a high pitch of excitement throughout

Times Literary Supplement

Its tragic scenes are rendered with an economy of words and a power that might well be the despair of a lesser writer

Scotsman

This active, passionate life on the verge of the tropics is perfect material for the Hemingway style, and the reader carries away from the book a sense of freshness and exhilaration; trade winds, southern cities and warm seas all admirably described by the instrument of precision with which he writes

New Statesman
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