A dazzling new memoir from the author of the international bestseller Reading Lolita in Tehran
In Azar Nafisi's personal story of growing up in Iran, she shares her memories of a life lived in thrall to a powerful and complex mother, against the background of a country’s political revolution.
Nafisi’s intelligent and complicated mother, disappointed in her dreams of leading an important and romantic life, created mesmerising fictions about herself, her family, and her past. But her daughter soon learned that these narratives of triumph hid as much as they revealed. When her father began to see other women, young Azar began to keep his secrets from her mother. Nafisi’s complicity in these childhood dramas ultimately led her to resist remaining silent about other personal – as well as political, cultural, and social – injustices.
Things I’ve Been Silent About is also a powerful historical picture of a family that spans the many periods of change leading up to the Islamic Revolution of 1978-79. This unforgettable portrait of a woman, a family, and a troubled homeland is a new triumph from a modern master of the memoir.
“A beautiful and sensitive book... [Nafisi's] belief in the power of culture to transform lives and societies is inspiring.”
“A companion memoir to the bestselling Reading Lolita in Tehran, this is Azar Nafisi's more personal account of growing up in Iran...an intriguing memoir.”
“This powerful memoir, from the author of the global hit Reading Lolita in Tehran, is a bewitching story of Azar's relationship with her brilliant, beautiful, romanticising and fictionalising mother. Set against the background of change before the Islamic Revolution, it is a complex, provocative story of family life, lies and loves - and of a desire to work out the past.”
“Nafisi proves a compelling, and moving, witness.”
“If you enjoyed the wonderful Reading Lolita in Tehran by this author, you have another treat in store.”
Waterstones Books Quarterly
“[Things I've Been Silent About] transports us to a world that is at once enchanting and threatening; it is a tale that mixes family feuds, politics and literature and holds our interest from the first to the last page. [It] may be read by some for its historic context. Others will be intrigued by what it says about the condition of women in the Islamic republic. To me, it was above all, a touching portrait of a troubled childhood in a family torn apart by a seductive father and an overbearing mother...But as the narrative unfolds against a complex and at times tragic political background, it is a political statement on Iran's modern history as much as a personal attempt to come to terms with a past by unravelling its secrets.”