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About the book
  • Published: 15 January 2017
  • ISBN: 9780099556077
  • Imprint: Vintage
  • Format: Paperback
  • Pages: 528
  • RRP: $27.99

The Prose Factory

Literary Life in Britain Since 1918




Gossipy journalists, revolutionary poets, political novelists and influential professors: a fascinating history of taste in literary culture over the last century

‘An entertaining history of literary life’ Nicholas Shakespeare, Daily Telegraph

Spanning a century of literary history, from the pitched battles fought between Eliot-era modernists and Georgian traditionalists to the impact of creative writing degrees and the media don of today and taking in ‘star reviewers’, sniping critics, caballing editors and megalomaniac professors along the way, The Prose Factory explores the myriad influences on English literary life in the past century and the way in which they have shaped our preferences.

‘An amazing achievement’ David Lodge

‘A pleasingly gossipy history of literary life in England since 1918…very enjoyable’ Observer

‘Elegantly written, defiantly intelligent, scrupulously researched and richly enjoyable’ Mail on Sunday

  • Pub date: 15 January 2017
  • ISBN: 9780099556077
  • Imprint: Vintage
  • Format: Paperback
  • Pages: 528
  • RRP: $27.99

About the Author

D J Taylor

D.J. Taylor's novels include English Settlement, which won a Grinzane Cavour Prize, Trespass and Derby Day, both of which were long-listed for the Man Booker Prize, and Kept: A Victorian Mystery. His other books include After the War: The Novel and England Since 1945, Thackeray, Orwell: The Life, which won the 2003 Whitbread Biography Prize, and Bright Young People: The Rise and Fall of a Generation 1918–1940. He lives in Norwich with his wife, the novelist Rachel Hore, and their three sons.

Also by D J Taylor

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Praise for The Prose Factory

“An entertaining history of literary life.”

Nicholas Shakespeare, Daily Telegraph

“Engaging, assured and entertaining.”

James Kidd, Independent

“Wide ranging, entertaining and thoughtful survey”

Michael Prodger, The Times

“An amazing achievement”

David Lodge

“A pleasingly gossipy history of literary life in England since 1918…very enjoyable”

Observer

“Elegantly written, defiantly intelligent, scrupulously researched and richly enjoyable.”

John Preston, Mail on Sunday

“Riveting”

Max Liu, Independent on Sunday

“A cross between a series of critical essays and a connected history… Its great strength lies in the freshness of his critical responses… The sheer vitality of Taylor’s engagement with books…is infectious… Perceptive portraits and crisp judgments.”

Stefan Collini, Guardian

“[Taylor’s] grand historical survey, covering publishing, reviewing, writing, making a living, and teaching, charts the rise of the man of letters… Well researched and informative.”

Michele Roberts, Financial Times

“The breadth and precision of his reading are phenomenal. He digs forgotten names out of crannies in the literary landscape, and gives them flesh and blood.”

John Carey, The Sunday Times

“A bold undertaking.”

Mark Amory, The Oldie

“Elegant.”

Simon Kuper, Financial Times

“An entertaining history of modern literary life.”

Nicholas Shakespeare, Telegraph

“DJ Taylor’s compendious account of English literary life in the past 100 years offers an antidote to the notion that writing is a glamorous or profitable trade… Taylor conjures pungent portraits of the century’s major (and minor) literary figures.”

Jane Shilling, Prospect

“[Taylor] authoritatively guides the reader through an extraordinary gallery of individuals.”

Kate McLoughlin, The Times Literary Supplement

“A spirited dash through British literary culture since the end of the First World War… Taylor’s admiration for the men and women who have scraped – or raked – a living by their pens springs from every page of this energetic, affectionate, galvanising book.”

Laura Freeman, Standpoint

“Insightful, erudite but very readable.”

Lady

“I loved DJ Taylor’s The Prose Factory…a colourful and thoughtful study of the writer’s lot over the last century.”

John Connolly, Irish Times


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