- Published: 4 April 2023
- ISBN: 9781405925815
- Imprint: Michael Joseph
- Format: Paperback
- Pages: 384
- RRP: $22.99
The Colour Storm
Winner of the HWA Gold Crown Award 2023

















- Published: 4 April 2023
- ISBN: 9781405925815
- Imprint: Michael Joseph
- Format: Paperback
- Pages: 384
- RRP: $22.99
Praise for Damian Dibben
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I was captivated from the beginning. Ornate, vivid, deeply coloured, and so precise I could smell and taste the world
Rachel Joyce
What a novel! Ambitious and wonderfully achieved
Michael Morpurgo
An epic tale of love, of courage, of hope
Evening Standard
Bask in the brilliance
Mail on Sunday
Original, ambitious, moving
Stylist
A stunning and captivating tale
The Sun
A grand sweep of adventure and travel, war and romance, and a rich exploration of love, life and loyalty
National Public Radio
Ravishing, addictive, knife-sharp, ambitious, and singing with detail. A compelling thriller that takes us to the heart of sixteenth century Venice where the world's most famous painters compete to win the greatest commission of their lives. There is so much to think about and relish. Not simply the story itself - with all its glorious twists and turns - but the search to express ourselves. A celebration of art and a hymn to colour.
Rachel Joyce
A terrific book . . . Absorbing, exciting and, dare I say it, colourful. An original tale told beautifully
A. D. Swanston
The Colour Storm takes readers on a thrilling, murderous journey through the serpentine waters of High Renaissance Venice as one of art history's most gifted but often overlooked painters - Giorgione - searches for love, fame, and, most importantly, colour. Written with language as vibrant as a Giorgione masterpiece, The Colour Storm is for lovers of art, Italy, and page-turning plot
Stephanie Storey
An intoxicating and illuminating tale, bathed in colour, passion and ambition . . . A must for lovers of Renaissance art and the wonders of sixteenth century Venice
S. W. Perry
A vivid imagining of the artistic world of Renaissance Venice. There is an incredible charm in its depiction of the great painters of the period with all their flesh-and-blood idiosyncrasies and flaws. The life of the studio and the supreme importance of colour in all the essentials of its make up is rendered absolutely convincingly. The work has all the more emotional power as it focusses on a lesser known artist as he negotiates the precarious life of his city alongside competitors, those whose names have resounded through history.
S. G. MacLean
An engaging thriller and a compelling exploration of an artist's obsession with love and colour
Sunday Times
A glorious, exuberant summer read. Dibben's triumph is the character of Zorzo, a buoyant, loveable guide to the grandeur and the dangers of Renaissance Venice
The Times
Art and ambition, love and obsession all come into play in this compelling and spellbinding tale set in Renaissance Venice
STYLIST
An intoxicating story about an incredible period in history
SUN
The pace of this elegant thriller quickens as truths are bared between controlling Jakob Fugger and abused Sybille with her tortuous past, while lovestruck Zorzo is pulled into a powerful situation that draws richly upon all elements of the 16th century
Perspective
A story filled with intrigue and secrets as well as colour, Damian Dibben's new novel is filled with vivid descriptions . . . very rich in atmosphere and tone that keeps you wanting to read more
Love London Love Culture
A great work of historical fiction, which weaves together conspiracy, art and love in a thriller
Ruth Millington
[An] opulent tale, with elements of both love story and thriller, featuring some of Venice's most admired High Renaissance artists hunting desperately for a dazzling new pigment that will transform their work and fortunes
Metro
A rich and rousing tale of art, love, rivalry and obsession in Renaissance Venice
Chloë Ashby, author of WET PAINT
Hugely evocative, it's a love story, it's a thriller, it's a fantastic page turner
Sophie Haydock, author of THE FLAMES
The pace of a thriller and the riches of a Renaissance painting
Rachel Joyce, Observer