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  • Published: 31 October 2011
  • ISBN: 9781448104130
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 448
Categories:

The Art of Memory




A revolutionary book about mnemonic techniques, and their relation to culture as a whole, which is itself hard to forget.

This unique and brilliant book is a history of human knowledge.

Before the invention of printing, a trained memory was of vital importance. Based on a technique of impressing 'places' and 'images' on the mind, the ancient Greeks created an elaborate memory system which in turn was inherited by the Romans and passed into the European tradition, to be revived, in occult form, during the Renaissance.

Frances Yates sheds light on Dante’s Divine Comedy, the form of the Shakespearian theatre and the history of ancient architecture; The Art of Memory is an invaluable contribution to aesthetics and psychology, and to the history of philosophy, of science and of literature.

  • Published: 31 October 2011
  • ISBN: 9781448104130
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 448
Categories:

About the author

Frances A Yates

Dame Frances Yates (1899-1981) achieved a world-wide reputation as an historian. Her close association with the Warburg Institute of the University of London began shortly after the Second World War, after the publication of her first two books. She was Reader in the History of the Renaissance there until 1967, when she became an Honorary Fellow. As well as gaining many academic honours, she was awarded the OBE in 1977 and was made DBE, in the same year. Her publications include Giordano Bruno and the Hermetic Tradition, Theatre of the World, The Rosicrucian Enlightenment, Astraea, Shakespeare's Last Plays and The Valois Tapestries.

Praise for The Art of Memory

Frances Yates is that rare thing, a truly thrilling scholar

Michael Ratcliffe, The Times

One of those quite remarkable and unclassifiable books on the history of knowledge which suddenly makes sense of three or four issues in terms of one commanding metaphor

Jonathan Miller, Observer