Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition … His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.
The poetry is a conduit for a life in which violence and delicacy collide… I like the fragility, resilience and the sense that the stories that need telling are hardest to tell – a difficulty Ocean Vuong is courageously minded to overcome.
Kate Kellaway, Observer
There is a powerful emotional undertow to these poems that springs from Mr Vuong’s sincerity and candour, and from his ability to capture specific moments in rime with photographic clarity and a sense of the evanescence of all earthly things.
Michiko Kakutani, New York Times
Ocean Vuong is the Walt Whitman of Vietnamese American literature. Lyrical, expansive, sexual, provocative, he sings of the Vietnamese body and of Vietnamese history.
Viet Thanh Nguyen, Literary Hub
The operatic voice of the book is vulnerable and unpredictable. Some of its strongest poems are also the strangest… It is an impressive, uneven, moving book about painful and important subjects – and is the work of a young poet who might, excitingly, say anything next.
Jeremy Noel-Tod, The Sunday Times
Many of the poems in this, Vuong’s debut collection, achieve lift-off amid comparable scenes of drama and desperation… This is a book full of promise.
David Wheatley, Literary Review
Vuong writes in what may be one of the most unfashionable modes of recent decades, in the richly meditative style of Rainer Maria Rilke. And, almost unbelievably, he does so successfully… Vuong’s roomy, cool, risky poems are more than promising, and this is an exciting and compelling book.
John McAuliffe, Irish Times
Taking war and cultural upheaval in its stride, Night Sky with Exit Wounds is an assured but open debut collection. It’s accessible to non-poetry readers while offering sufficient depth to keep the experts engaged.
Aimee Grant Cumberbatch, Evening Standard
If you only read one new book of poetry this year, make it Ocean Vuong’s game-changing debut collection. Night Sky With Exit Wounds is breathtakingly beautiful, gut-wrenching and sublime… Phenomenal.
One of the most extraordinary first collections of poems in recent memory… The poems sear through the heart, Vuong finding the words and feelings to capture moments with complete clarity.
Alex Scott, Cent
His style is not unlike a wall of sounds, a relatively consistent, arrestedly pubescent palette of desire and obsession, turned up high enough to hit the pulse.
Declan Ryan, Times Literary Supplement
From its opening lines..., the book brims with precise, surreal, erotic imagery… Vuong authoritatively lays claim to a range of symbols and tropes... Vuong possesses a large and unusual imagination… Night Sky with Exit Wounds is a remarkable debut. Where Vuong is headed is anyone’s guess, but you’ll want to go with him.
Paul Batchelor, New Statesman
Vuong’s words writhe and spin – his use of English is astonishing. He’s a smelter at his poetry, making words transform into something other than letters and meaning…. His gay love poems are stark, beautiful and utterly unnerving in their uncompromising adoration… A magical journey into Vuong’s imagination and talents and an astonishing debut collection.
Vuong’s intimate lyrical voice, his precise, stark imagery and engagement with gay sexuality construct a familiar story of loss… Balancing memory and silence with erudition, Vuong’s poetry resists being so easily pinned down… Vuong’s poems, written with intelligence and tenderness, offer new spaces for becoming.
Sandeep Parmar, Guardian