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About the book
  • Published: 28 May 1993
  • ISBN: 9781857151404
  • Imprint: Everyman
  • Format: Hardback
  • Pages: 376
  • RRP: $22.99

Madame Bovary




Emma Bovary is beautiful and bored, trapped in her marriage to a mediocre doctor and stifled by the banality of provincial life. An ardent reader of sentimental novels, she longs for passion and seeks escape in fantasies of high romance, in voracious spending and, eventually, in adultery.

Described by Henry James as 'one of the first of the classics' and so regarded ever since, MADAME BOVARY has touched generations of readers and moulded generations of writers. The story of a little woman in a provincial town who dreams of happiness and then perishes by her own hand is worked up by Flaubant into a profound and heart rending study of human bondage.

  • Pub date: 28 May 1993
  • ISBN: 9781857151404
  • Imprint: Everyman
  • Format: Hardback
  • Pages: 376
  • RRP: $22.99

About the Author

Gustave Flaubert

Gustave Flaubert was born in Rouen in 1821, the son of a distinguished surgeon and a doctor's daughter. After three unhappy years of studying law in Paris, an epileptic attack ushered him into a life of writing. Madame Bovary won instant acclaim upon book publication in 1857, but Flaubert's frank display of adultery in bourgeois France saw him go on trial for immorality, only narrowly escaping conviction. Both Salammbo (1862) and The Sentimental Education (1869) were poorly received, and Flaubert's genius was not publicly recognized until Three Tales (1877). His reputation among his fellow writers, however, was more constant and those who admired him included Turgenev, George Sand, Victor Hugo and Zola. Flaubert's obsession with his art is legendary: he would work for days on a single page, obsessively attuning sentences, seeking always le mot juste in a quest for both beauty and precise observation. His style moved Edmund Wilson to say,'Flaubert, by a single phrase - a notation of some commonplace object - can convey all the poignance of human desire, the pathos of human defeat; his description of some homely scene will close with a dying fall that reminds one of great verse or music.' Flaubert died suddenly in May 1880, leaving his last work, Bouvard and Pécuchet, unfinished.

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