> Skip to content
  • Published: 1 September 2010
  • ISBN: 9781407051697
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 96

Kneller's Happy Campers




Master short-story writer Etgar Keret turns his hand to a longer tale - 'The darkest fun I've had in ages' (Matt Haig).

Kneller's Happy Campers is a strange, dark but funny tale set in a world very much like our own but it's an afterlife populated by people who have killed themselves - many of them are young, and most of them bear the marks of their death... bullet wounds, broken necks...(those who have over-dosed are known as 'Juliets').

When Mordy, our hero, discovers that his girlfriend from his life before has also 'offed' herself, he sets out to find her, and so follows a strange adventure...

Full of the weird and wonderful characters, and the slightly surreal twist of events that we've come to expect from Etgar Keret, this novella is full of humour and comic flashes, but it is also wistful, longing for a better world and perfect love.

  • Published: 1 September 2010
  • ISBN: 9781407051697
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 96

About the author

Etgar Keret

Etgar Keret was born in Ramat Gan and now lives in Tel Aviv. A winner of the French Chevalier des Arts et des Lettres, The Camera D’Or, and the Charles Bronfman Prize, he is the author, most recently, of the memoir The Seven Good Years, and story collections like The Bus Driver Who Wanted To Be God. His work has been translated into forty-two languages and has appeared in The New Yorker, The Wall Street Journal, Wired, The Paris Review, and The New York Times, among many other publications, and on This American Life, where he is a regular contributor.

Also by Etgar Keret

See all

Praise for Kneller's Happy Campers

Etgar Keret's writing hits like a bullet. Kneller's Happy Campers is fast and bizarre and full of a fearless street-punk surrealism, as though Charles Bukowski is channelling the imagination of Lewis Carroll. The darkest fun I've read in ages

Matt Haig

I think he is a brilliant writer, entirely different from any other I know. He is the voice of the next generation

Salman Rushdie

Keret mixes the laconic style of Raymond Carver and the insane wit of Quentin Tarantino into his own particular, melancholy combination of themes... It's not just a story about people who have taken their lives, but rather a metaphor on how the post-ideological generation is trying to live and survive in this world

Spiegel

There is a subtle mix of innocence and awareness, of caustic irony and tender humour that emerges from this text, as well as from its brilliant author

Le Monde