'A set of intimate, gentle poems, transcribing the history, landscapes and traditions of Ceylon [Sri Lanka]' - The Times
The poems in Handwriting, Michael Ondaatje's most recent collection, are memories of Sri Lanka: the rituals and traditions, history and geography, the smells and tastes and colours of his first home. Here are sunless forests, cattle-bells, stilt-walkers 'with the movement of prehistoric birds'; a Buddha buried 'so roots/like fingers of a blind monk/spread for two hundred years over his face'; saffron and panic seed, lotus flowers, sandalwood; a lover, who lay her fearless heart/light as a barn owl/against him all night'.
Handwriting is an elegy for lost childhood, for a culture and language lost to the turmoil of history, but it is also a glimpse of the source of the writer's delicate, erotic, mysterious imagination. By focussing on writing frankly about beautiful things, Ondaatje takes the poems beyond narrative to these simple, deeply sensual images - given to us in a language that is pared, cursive and exquisite.
“The way his novels are truly poetic, Ondaatje's thrilling poems often read like exquisite, unwritten Ondaatje novels.”
Independent on Sunday
“Handwriting explores Sri Lankan history, geography, ceremonies and myths. It is crowded with scintillating images, such as a tightrope-walker caught in a power cut, beautiful colours and textures.”
“Michael Ondaatje defies the normal distinction between poet and novelist. His writing is consistently tuned to a visionary pitch.”
“A breathtaking collection.-- If you're going to buy one book this year, buy this one. Ten years from now you'll still be reading it with pleasure.”
Sam Solecki, "Books in Canada"
“The final poem, "Last Ink," explains why the need to preserve human experience through art is as instinctive as the desire to die in a lover's arms. Dealing with large-scale emotions and scenes of love and war, these are poems that strike to the heart.”