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About the book
  • Published: 1 August 1996
  • ISBN: 9780140247749
  • Imprint: Penguin
  • Format: Paperback
  • Pages: 512
  • RRP: $36.99

Dubliners




A collection of fifteen stories, evoking the voices and lives that teem in Joyce's vision of his native city

This Vintage Classics edition of James Joyce’s groundbreaking story collection has been authoritatively edited by scholars Hans Walter Gabler and Walter Hettche and includes a chronology, bibliography, and afterword by John S. Kelly. Also included in a special appendix are the original versions of three of the stories as well as Joyce's long-suppressed preface to Dubliners.
 
With the fifteen stories in Dubliners Joyce reinvented the art of fiction, using a scrupulous, deadpan realism to convey truths that were at once blasphemous and sacramental. Whether writing about the death of a fallen priest ("The Sisters"), the petty sexual and fiscal machinations of "Two Gallants," or of the Christmas party at which an uprooted intellectual discovers just how little he really knows about his wife ("The Dead"), Joyce takes narrative art to places it had never been before.

  • Pub date: 1 August 1996
  • ISBN: 9780140247749
  • Imprint: Penguin
  • Format: Paperback
  • Pages: 512
  • RRP: $36.99

About the Author

James Joyce

The eldest of ten children, James Joyce was born in Dublin on the 2nd of February 1882. Despite his family being impoverished by his father's failings as a business man, Joyce was educated at the best Jesuit schools and later in 1898 at University College Dublin. His first published work was a review on Ibsen's play When We Awaken in the Fortnightly Review in 1900. Upon graduating, Joyce moved to Paris in pursuit of a medical career. Before long, he gave up attending lectures and devoted himself to literature. He returned to Dublin as a result of the fatal illness of his mother and shortly afterwards, in 1904, Joyce met Nora Barnacle who was later to become his wife. The young couple travelled to the continent and in 1905 settled in Trieste where they were to remain until 1915. Joyce's first book Chamber Music was published in 1907 as a book of poetry and Dubliners followed in 1914.

The Joyces had two children; Giorgio, born 1905 and Lucia in 1907. Lucia was to develop a disturbing mental illness which greatly affected the family and would remain a prominent factor for the rest of Jocye's life. During the First World War Joyce moved to Zurich where he remained until 1919 when he moved to Paris to work on what is widely understood as his greatest and most prodigious work, Ulysses. After being worked on for eight years, Ulysses was published in Paris in 1922 on Joyces Birthday. It could be true to say that in Ulysses, Joyce attempts to 'know' everything and to add to this 'knowledge' by creating his own language. Joyce's highly experimental and revolutionary work positioned him firmly as one of the key figures of modernism.

As spoken to Georges Borach, one of Joyce's students in Zurich, Joyce comments that 'there are indeed hardly more than a dozen themes in world literature. Then there is an enormous number of combinations of these themes.' He goes on to denounce all the thinkers of the last 200 years and to position Aristotle as the 'greatest thinker of all time.' Such statements are testimony to Joyce's determination in his quest for knowledge, to know what knowledge was and to challenge it. Joyce greatly admired authors such as Dante, D'Annunzio and Ibsen.

Joyce was greatly admired by many authors including Italo Svevo, author of Zeno's Conscience who he met in Trieste and, Samuel Beckett who he met in Paris.

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Praise for Dubliners

““In Dubliners, Joyce’s first attempt to register in language and fictive form the protean complexities of the ‘reality of experience,’ he learns the paradoxical lesson that only through the most rigorous economy, only by concentrating on the minutest of particulars, can he have any hope of engaging with the immensity of the world.”–from the Introduction “Joyce renews our apprehension of reality, strengthens our sympathy with our fellow creatures, and leaves us in awe before the mystery of created things.” –Atlantic Monthly “It is in the prose of Dubliners that we first hear the authentic rhythms of Joyce the poet…Dubliners is, in a very real sense, the foundation of Joyce’s art. In shaping its stories, he developed that mastery of naturalistic detail and symbolic design which is the hallmark of his mature fiction.” –Robert Scholes and A. Walton Litz, authors of Dubliners: Text and Criticism With an Introduction by John Kelly”


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