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About the book
  • Published: 25 February 2015
  • ISBN: 9780141397504
  • Imprint: Penguin Classics
  • Format: Paperback
  • Pages: 64
  • RRP: $2.99

A Simple Heart

Little Black Classics




Flaubert's most famous short work meditates on the unexamined, futile life of a servant and her beloved parrot.

'She decided she would teach him to speak and he was very soon able to say, 'Pretty boy!', 'Your servant, sir!' and 'Hail Mary!''

With pathos and humour, Flaubert imagines the unexamined life of a servant girl.

Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.

  • Pub date: 25 February 2015
  • ISBN: 9780141397504
  • Imprint: Penguin Classics
  • Format: Paperback
  • Pages: 64
  • RRP: $2.99

About the Author

Gustave Flaubert

Gustave Flaubert was born in Rouen in 1821, the son of a distinguished surgeon and a doctor's daughter. After three unhappy years of studying law in Paris, an epileptic attack ushered him into a life of writing. Madame Bovary won instant acclaim upon book publication in 1857, but Flaubert's frank display of adultery in bourgeois France saw him go on trial for immorality, only narrowly escaping conviction. Both Salammbo (1862) and The Sentimental Education (1869) were poorly received, and Flaubert's genius was not publicly recognized until Three Tales (1877). His reputation among his fellow writers, however, was more constant and those who admired him included Turgenev, George Sand, Victor Hugo and Zola. Flaubert's obsession with his art is legendary: he would work for days on a single page, obsessively attuning sentences, seeking always le mot juste in a quest for both beauty and precise observation. His style moved Edmund Wilson to say,'Flaubert, by a single phrase - a notation of some commonplace object - can convey all the poignance of human desire, the pathos of human defeat; his description of some homely scene will close with a dying fall that reminds one of great verse or music.' Flaubert died suddenly in May 1880, leaving his last work, Bouvard and Pécuchet, unfinished.

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