Australia's favourite cricket writer on how one player – and his photograph – changed a sport and a nation.
Today Victor Trumper is, literally, a legend – revered for deeds lost in time, a hallowed name from the golden era from before the moving image began to dictate memories and Bradman reset the records.
In life, Trumper was Australia’s first world beater – at his peak just after Federation, he was not just a cricketer but an artist of the bat, the genius of a new era, a symbol of what Australia could be. Crowds flocked to his club matches, English supporters cheered him on in Tests, and at his early funeral in 1915 – even amidst the grief of war – mourners choked the streets of Sydney.
Trumper lives on, not just as the name of a stand at the SCG, or a park near his former home ground. He lives in an image that captures him mid-stroke: a daring player’s graceful advance into the unknown, alive with intent and controlled abandon. Reproduced countless times in cricket books and pavilions around the world, it conjures an era, an attitude – cricket’s first imaginings of itself – and encapsulates the timeless beauty of sport like none other.
If Trumper is a legend, George Beldam’s ‘Jumping Out’ has become an icon.
But that image has almost paradoxically obscured the story of its subject. Man and photograph have entranced Gideon Haigh since childhood, and in Stroke of Genius he explores both the real Victor Trumper and the process of his iconography. Together they inspired a profound moral and aesthetic revaluation of the game, and changed the way we think about cricket, art and Australia. In this inventive, fresh and compelling work of history, Haigh reveals how Trumper, and Beldam’s incarnation of his brilliance, are at the intersection of sport and art, history and timelessness, reality and myth.
'Haigh, cricket-lover and polymath, couldn’t write a dull book if he tried ... the book equally qualifies as art and social history.' The Saturday Paper
'Gripping ... Haigh draws on an encyclopaedic knowledge of cricketing fact and folklore ... [and] evokes an era retrospectively made golden.' The Times
'Bless all of Haigh, Beldham, Trumper and Penguin Books for combining so well here ... What Haigh has done so well in Stroke of Genius is not only intellectually restore this ubiquitous but little-understood photograph, but doff a skull cap in the direction of the man who at least equalled Trumper for brilliance in creating it. Here's to biting of more than you can chew.' The Guardian
'There are various claimants to the title of 'world's best cricket writer', yet no dispute about who today, is the best writer on cricket. This is the Australian, Gideon Haigh.' The Telegraph, Calcutta
'In Stroke of Genius, Gideon Haigh has given Jumping Out and the men who created it the richly perceptive tribute they have always deserved.' The Age
'Stroke of Genius offers such numerous fresh perspectives about cricket that it is a stroke of genius itself.' Australian Book Review
Stroke of Genius was shortlisted for the NSW Premier's History Awards 2017.
“Haigh, cricket-lover and polymath, couldn’t write a dull book if he tried. Ostensibly a cricket book, Stroke of Genius ought to engage even a reader indifferent to the summer game. Sure, there’s an abundance of cricket talk, but Haigh sets it – most of it – in a broader cultural context and, viewed from certain angles, the book equally qualifies as art and social history.”
The Saturday Paper
“Gripping ... Haigh draws on an encyclopaedic knowledge of cricketing fact and folklore ... [and] evokes an era retrospectively made golden.”
Richard Morrison, The Times
“One of the most illuminating pictures of perhaps the greatest stylist in cricket history … a contender for the cricket book of the year.”
Archie Mac, Cricket Web
“Surely our best writer on sport and history ... stimulating and rewarding.”
Derek Abbott, Honest History
“Bless all of Haigh, Beldham, Trumper and Penguin Books for combining so well here ... What Haigh has done so well in Stroke of Genius is not only intellectually restore this ubiquitous but little-understood photograph, but doff a skull cap in the direction of the man who at least equalled Trumper for brilliance in creating it. Here's to biting of more than you can chew.”
Russell Jackson, The Guardian