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The Red House Mystery
  • Published: 6 August 2009
  • ISBN: 9780099521273
  • Imprint: Vintage Classics
  • Format: Paperback
  • Pages: 240
  • RRP: $22.99

The Red House Mystery

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Classic crime, at its very best.

A classic murder mystery from the world famous author of Winnie-the-Pooh, beautifully re-issued for a whole new audience of A.A. Milne fans and crime lovers alike.

Classic crime, at its very best.

With a new introduction by Gyles Brandreth.

The Red House is a country residence far removed from the world of the Hundred Acre Wood but its story has much of the same charm and wit. There is, of course, a murder, and when the local police fail to solve the crime, an amateur sleuth readily steps in. What follows is a delightful whodunnit with humour, excitement and a suitably surprising twist at the end.

A. A. Milne loved detective stories and pays homage to Sherlock Holmes in his detective - the clever and charismatic Anthony Gillingham- and his assistant, Bill Beverley. This is classic crime at its very best.

'I love his writing' P.G.Wodehouse
  • Published: 6 August 2009
  • ISBN: 9780099521273
  • Imprint: Vintage Classics
  • Format: Paperback
  • Pages: 240
  • RRP: $22.99
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About the author

A. A. Milne

Alan Alexander Milne was born in Hampstead in 1882 and attended an independent school run by his father before studying mathematics at Cambridge. After university he worked as an Assistant Editor at the magazine Punch and established himself as a successful author of both plays and novels, including The Red House Mystery until, with the publication of When We Were Very Young in 1924 and Winnie-the-Pooh in 1926 his career took a very different turn. Milne continued to produce works for adults but occasionally resented the success of his children's stories, which overshadowed much of his other work.

In 1952 A. A. Milne suffered a stroke after brain surgery and retired to his country home in Sussex as an invalid. He died there four years later.

A.

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Praise for The Red House Mystery

I love his writing

P.G.Wodehouse

He has the pacing equivalent of perfect pitch

The New York Times