The Epic of Gikuyu and Mumbi
A dazzling, feminist novel in verse that reimagines the origin story of the Gikuyu people of Kenya, from the author Chimamanda Ngozi Adichie calls 'one of the greatest writers of our time'
A dazzling, genre-defying novel in verse from the author Chimamanda Ngozi Adichie calls 'one of the greatest writers of our time'
Ngugi wa Thiong'o's novels and memoirs have received glowing praise from the likes of Barack Obama, the New Yorker, the Guardian and the New York Times Book Review; he has been a finalist for the International Booker Prize and is annually tipped to win the Nobel Prize for Literature; and his books have sold tens of thousands of copies around the world.
In his first attempt at the epic form, Ngugi tells the story of the founding of the Gikuyu people of Kenya, from a strongly feminist perspective. A verse narrative, blending folklore, mythology, adventure and allegory, The Perfect Nine chronicles the efforts the Gikuyu founders made to find partners for their ten beautiful daughters - called 'The Perfect Nine' - and the challenges they set for the 99 suitors who seek their hands in marriage. The epic has all the elements of adventure, with suspense, danger, humor and sacrifice.
Ngugi's epic is a quest for the beautiful as an ideal of living, as the motive force behind migrations of African peoples. He notes, 'The epic came to me one night as a revelation of ideals of quest, courage, perseverance, unity, family; and the sense of the divine, in human struggles with nature and nurture.'
'Seldom have the raw truths of Africa been exposed so vividly, yet humorously. . . With tales that tease, then bite, [Ngugi] tackles the absurdities, injustices and corruption of a continent.' Delia Owens, author of Where the Crawdad Sings on Minutes of Glory in the New York Times Book Review
“One of the greatest writers of our time”
Chimamanda Ngozi Adichie
“A tremendous writer... it's hard to doubt the power of the written word when you hear the story of Ngugi wa Thiong’o”
“A visionary writer”
“In his crowded career and eventful life, Ngugi has enacted, for all to see, the paradigmatic trials and quandaries of a contemporary African writer, caught in sometimes implacable political, social, racial and linguistic currents -”