The Kingdom of Bones
  • Published: 6 December 2012
  • ISBN: 9781448147618
  • Imprint: Ebury Digital
  • Format: EBook
  • Pages: 464
Categories:

The Kingdom of Bones

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A dark Gothic Victorian thriller in the spirit of Sherlock Holmes

It was my friend, Bram Stoker, who told me of the legend of the Wanderer a man who made a bargain with the devil himself, trading his soul for forbidden knowledge and eternal life.

Once I would have dismissed such tales as mere fancy but I knew what I had seen. And there is no mind so open as that of desperate man.

A dark Gothic Victorian thriller, The Kingdom of Bones unfolds in a twilight world of music halls, boxing booths, and travelling theatrical shows; and pits a formidable Pinkerton detective against a man who fears more than justice.
  • Published: 6 December 2012
  • ISBN: 9781448147618
  • Imprint: Ebury Digital
  • Format: EBook
  • Pages: 464
Categories:

About the author

Stephen Gallagher

Stephen Gallagher is a novelist, screenwriter and director specialising in suspense. Born in Salford, Lancashire, his original TV/ film credits include: Chimera, Chiller,Bugs, Oktober, Crusoe for NBC, Eleventh Hour and The Forgotten; he’s also written for long-term series including Doctor Who, Rosemary and Thyme and Silent Witness.

Also by Stephen Gallagher

Doctor Who: Warriors’ Gate and Beyond (Target Collection)
Doctor Who: The Kairos Ring
Doctor Who: Terminus
Doctor Who: Warriors’ Gate
The Bedlam Detective
See all

Praise for The Kingdom of Bones

Vividly set in England and America during the booming industrial era of the late 19th and early 20th centuries, this stylish thriller conjures a perfect demon to symbolize the age and its appetites...

The New York Times

If thriller-reading were a sin, Stephen Gallagher would be responsible for my ultimate damnation.

Dean R. Koontz

From its attention-grabbing opening, this period thriller moves back and forth in time to tell a compelling story of a man battling against what he believes to be demonic forces … [Gallagher] is brilliantly successful at evoking the shifting, transient world of travelling theatres and cheap carnivals that provide the backdrop to his twisting tale

Sunday Times
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