The Gilda Stories

The Gilda Stories is groundbreaking not just for the wild lives it portrays, but for how it portrays them - communally, unapologetically, roaming fiercely over space and time

Emma Donoghue, author of Room

This revolutionary classic by a pioneer in black speculative fiction will delight and inspire generations to come

Tananarive Due

The Gilda Stories was ahead of its time when it was first published in 1991... Gomez's characters are rooted in historical reality yet lift seductively out of it, to trouble traditional models of family, identity, and literary genre and imagine for us bold new patterns. A lush, exciting, inspiring read

Sarah Waters

Jewelle's big-hearted novel pulls old rhythms out of the earth, the beauty shops and living rooms of black lesbian herstory, expressed by the dazzling vampire Gilda. Her resilience is a testament to black queer women's love, power, and creativity. Brilliant!

Joan Steinau Lester

I still feel a connection to Gilda: her tenacity, her desire for community, her insistence on living among humanity with all its flaws and danger. The Gilda Stories are both classic and timely. Gilda emphasizes the import of tenets at the crux of black feminism while her stories ring with the urgency of problems that desperately need to be resolved in our current moment

Theri A. Pickens, author of Black Madness

Its focus on a black lesbian who possesses considerable agency througout the centuries, and its commentary on gender and race, remain significant and powerful

Publishers Weekly

The Gilda Stories has been vitally important for the development of a generation of dreamers engaged in radical imagination

Walidah Imarisha, co-editor of Octavia's Brood

Gilda's body knows silk, telepathy, lavender, longing, timeless love, and so much blood. With sensory, action-packed prose and a poet's eye for beauty, Jewelle Gomez gives us an empathy transfusion. This all-American novel of the undead is a life-affirming read

Lenelle Moïse, author of Haiti Glass

'How Long 'Til Black Future Month', asks NK Jemisin in the title of her recent short story collection. The brilliant Octavia Butler provided many profound answers, and keeping her company was Jewelle Gomez. Her diamantine novel The Gilda Stories traces Black lesbian community from the antebellum South to technodystopian 2050, via Gilda, who escapes slavery and becomes a vampire. Meeting other queer Black, Indigenous and Latinx 'sisters in the life', Gilda develops both her compelling ethics and her swoonsome butch style, determined to survive racism, sexism, homophobia and climate crisis by loving others

Dazed & Confused

A timeless American odyssey addressing everything from 1850s slavery to 1960s lesbian life. It is little wonder that the book has become a modern classic

San Francisco Bay Times

Uses the vampire story as a vehicle for a re-telling of American history in which the disenfranchised finally get their say. Her take on queerness, community, and the vampire legend is as radical and relevant as ever

Michael Nava

Fire for the conscience and food for the soul... Jewelle Gomez's 1991 novel, The Gilda Stories, helped shape the emergence of Afro- and Indigenous futurisms

Jay Bernard, author of Surge

A revolutionary text... The ostensibly vampiric tale is more than simply a book, it has become a beacon which challenges ideas of race, history, family, love and patriarchy

Bookseller