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'The Correspondence gives off the unmistakable crackle of an original writer who has found a new form. It's hard to say who or what is meant to be on the receiving end of these "letters", but if you care about modern life you need to read them.' - John Jeremiah Sullivan

'What a nutjob!' - Geoff Dyer
'Questions that occurred to me as I read this brilliant, baffling book: What the hell is this? Who the hell is this? Is this poetry?' - Tom Bissell

Can civilization save us from ourselves? That is the question J. D. Daniels asks in his first book, a series of six letters written during dark nights of the soul. Working from his own highly varied experience – as a janitor, night watchman, adjunct professor, drunk, exterminator, dutiful son –he considers how far books and learning and psychoanalysis can get us, and how much we’re stuck in the mud.

In prose wound as tight as a copper spring, Daniels takes us from the highways of his native Kentucky to the Balearic Islands and from the Pampas of Brazil to the rarefied precincts of Cambridge, Massachusetts. His travelling companions include psychotic kindergarten teachers, Israeli sailors, and Southern Baptists on fire for Christ. In each dispatch, Daniels takes risks – not just literary (voice, tone, form) but also more immediate, such as spending two years on a Brazilian jiu-jitsu team (he gets beaten to a pulp, repeatedly) or participating in group psychoanalysis (where he goes temporarily insane).

Daniels is that rare thing, a writer completely in earnest whose wit never deserts him, even in extremis. Inventive, intimate, restless, streetwise and erudite, The Correspondence introduces a brave and original observer of the inner life under pressure.


Tightly written, often brilliant… Alive with deft asides and daring intuitive leaps. Daniels is a very good writer, and [this is] a very good book… The self is the well from which all these essays are drawn; or perhaps it’s the sewer into which all these essays drain… A complete work about a work-in-progress, the self-portrait of a writer slowly coming into his own.

J Robert Lennon, Guardian

What a nutjob! Increasingly these three words constitute my highest praise for – almost my ideal of – a writer, and in this regard J. D. Daniels takes the biscuit. I love the way he throws out everything, both in the sense of throwing it all at us, and the opposite: discarding everything that might be deemed necessary to the seemly construction of narrative. So The Correspondence gives us the best of both worlds.

Geoff Dyer

The Correspondence gives off the unmistakable crackle of an original writer who has found a new form. It's hard to say who or what is meant to be on the receiving end of these “letters”, but if you care about modern life you need to read them.

John Jeremiah Sullivan, author of PULPHEAD

The Correspondence is one of the best things I’ve read in a long time, a whole new music that changes the score of masculinity, and a new kind of writing too, one that pushes form and sentence into radical, contemporary shapes. The word ‘honesty’ has become something of an irritant in contemporary literary culture: J. D. Daniels does something more moral than be simply honest. He invokes the grandeur and abasement of experience with a tactility of language that makes a psychological landscape of it, rather as the ancient Greeks did, and his notions of justice and truth are as richly textured as theirs. I have lent this slim, meaningful book to one person after another, and received the confirmation that it has changed their view of the world with its economy, its potency, its different fall of light.

Rachel Cusk, author of TRANSIT

Daniels sees what others don't, feels what others won't, and writes what others can't. He is a blazing virtuoso of the English sentence, an oracle with a vulnerable and willing heart, and he has produced a shockingly perfect book.

Sarah Manguso, author of ONGOINGNESS

Questions that occurred to me as I read this brilliant, baffling book: What the hell is this? Who the hell is this? Is this poetry? How can that sentence be so good? Can I steal that later? In 130 pages, Daniels shows you just about everything great prose can do. Books like this are why I read.

Tom Bissell, author of APOSTLE

J.D. Daniels's The Correspondence is an epic in fragments: masterly, comic, wise, daring. It is a book for everyone, from Kentucky to Cambridge to Kathmandu, though as a reader you may feel that Daniels is trafficking in secrets, meant for you alone. It is occult. It is so strong, it will melt the books on the shelves around it. This is a book that will become a legend, introducing one of the very best writers in the country. If I could thrust it into every true reader's hands, I would.

Mark Greif, author of THE AGE OF THE CRISIS OF MAN

Through the speed and shocking cuts of his prose, Daniels shows us what it is to be a writer now. Each of these six letters is a modern expression of Baudelaire's tortured prayer: “O Lord God grant me the grace to produce a few good verses, which shall prove to myself that I am not the lowest of men, that I am not inferior to those whom I despise.”

Michael Clune, author of GAMELIFE

J.D. Daniels is a scourge to an America drunk on fraudulent images of masculinity and to a literary scene enamored of dainty exhibitionism. A writer so rigorously on guard against complacency that he's likely to take any compliment paid him like a slap in the face.

Marco Roth, author of THE SCIENTISTS

Masculinity as vulnerable, smelly smackdown, personal failure as syntactic delight: in this volatile, brilliant collection, Daniels recollects in not-quite tranquility a series of synesthesiac rearrangements of the self. The riveting swerves of his sentences and of his geographic and spiritual wanderings will make you keep asking what “here” might be. These essays pay tribute to “the world… our common property”.

Lisa Cohen, author of ALL WE KNOW

Daniels’ book, a slip of a thing, is a hard one to pin down. But pin it down you should… Darker, fiercer, funnier… His is a strange, addictive voice, impossible to categorise. You won’t read another book like it.

Miranda Collinge, Esquire

Daniels writes in a splendidly self-deprecating way while describing how martial arts took over his life (Brazilian jiu-jitsu, if you must know), about leaving the teaching profession because “I wanted to kill and eat the children who had been entrusted to my care” and of his reintroduction to his home state of Kentucky. Some would call him glib, but it’s an ironic pseudo-glibness which acknowledges pain and regret but isn’t going to let them get in the way of a good story. The Correspondence may be a tricky book to define, but what’s easier to discern from it is the emergence of a distinctive new voice worth listening to.

Herald Scotland

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Formats & editions

  • Trade Paperback


    April 15, 2017

    Jonathan Cape

    144 pages

    RRP $32.99

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