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  • Published: 27 February 2013
  • ISBN: 9780670921669
  • Imprint: Penguin General UK
  • Format: Paperback
  • Pages: 528
  • RRP: $39.99
Categories:

The Chemickal Marriage




The third instalment of the cult fantasy series that begins with The Glass Books of the Dream Eaters

The final instalment of Dahlquist's fantastical adventure series, following on from The Glass Book of Dream Eaters and The Dark Volume.

Miss Temple, young, wealthy and far away from home, never wanted to be a heroine. Yet her fiancé is dead (admittedly, by her own hand), her companions slain and her nemesis, the terrifyingly wicked Contessa Lacquer-Sforza, escaped. It falls on her tiny shoulders to destroy a deadly cabal whose alchemy threatens to enslave the world. Miss Temple plots her revenge.

But Dr Svenson and Cardinal Chang are alive, barely - their bodies corrupted by the poisonous blue glass. Wounded and outnumbered, Miss Temple, Dr Svenson and Cardinal Chang pursue their enemies through city slums and glittering palaces as they fight to prevent the cabal's crushing dominion and unholy marriage between man and machine.

Dahlquist's rip-roaring adventure sees an assassin, an heiress and a surgeon battle against the world's most unholy evil, in their final quest.

  • Published: 27 February 2013
  • ISBN: 9780670921669
  • Imprint: Penguin General UK
  • Format: Paperback
  • Pages: 528
  • RRP: $39.99
Categories:

About the authors

G. W. Dahlquist

G.W. Dahlquist has two claims to fame prior to writing The Glass Books of the Dream Eaters. Firstly, he is the only individual to bring a private prosecution against NASA for allegedly faking material brought back from the moon (he claimed - unsuccessfully - that several pounds of 'moon rocks' had been lifted from his backyard in Tampa, Florida). Secondly, that the script for the 1978 film Capricorn One - a fictional film about faking a trip to Mars - is based on a documentary he was making regarding his own allegations of a full-blown cover up of the so-called 'faked moon landings'. Filmed footage and research material confiscated by Dahlquist's landlady in lieu of unpaid rent was purchased at a car boot sale in Orlando in 1976 by executives of Warner Brothers. The film was rushed into production, but Dahlquist claims never to have received a dime of the proceeds.