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  • Published: 25 August 2026
  • ISBN: 9781524712884
  • Imprint: Knopf US
  • Format: Paperback
  • Pages: 112
  • RRP: $45.00
Categories:

Sensorium Ex

An Opera in Verse




In this dystopian tale of a near-future society increasingly threatened by all-consuming AI, a scientist mother and her disabled son rebel against the corporate larceny of their selves, by an award-winning poet (“Stirring. . . . Wildly inventive and sharp to an edge” —Los Angeles Review of Books)

In this story of the scientist DR. MEM and KITSUNE, her nonambulatory, non-speaking son, the pair fight CORP, a mega-company developing the most powerful AI robot ever conceived. What MEM learns is that CORP seeks "To give the robot something real. / What it can fake but not make: / mercy, compassion. Trust and love." That is, CORP hopes to harvest and own not just their employees' personal data but their thoughts, memories, and their sensory experiences, in order to build a robot that will contain all that is and ever was human, and replace the need for humans themselves. 

This swift drama, which unfolds in a libretto/ script format, with dialogue in Shaughnessy's accessible and blistering verse, shows how MEM and her coworkers fight to save their individuality from being vacuumed up. A Greek-style chorus reflects on the state of a world where "taking leave of our senses" becomes a serious and quite literal threat, as MEM struggles to fulfill her singular role in fighting the high-tech of corrupt capitalism. At the center of this all-too-relevant speculative drama burns MEM's most powerful weapon against the forces of AI darkness: a mother's love.

  • Published: 25 August 2026
  • ISBN: 9781524712884
  • Imprint: Knopf US
  • Format: Paperback
  • Pages: 112
  • RRP: $45.00
Categories:

About the author

BRENDA SHAUGHNESSY

Brenda Shaughnessy is a poet, mother, daughter, and teacher. She works at Rutgers University-Newark, and lives in West Orange, NJ. She was educated in NYC and Santa Cruz, CA, having grown up in Thousand Oaks, CA after an infancy in Wollaston, MA and Okinawa, where she was born at Kadena Air Base Hospital, United States Air Force, in 1970, to mother Mitsuko Higa, daughter of Yoshimoto Ushi and Higa Denko, of Yomitan.

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Praise for Sensorium Ex

Praise for the opera Sensorium Ex:
“ A remarkable new opera. . . . Heroism and love are themes that have run through opera for centuries, but never one with a story such as this.”—Rick Perdian, Seen and Heard International

“ A monumental disruption in the fusion of art and technology. [Sensorium Ex] fuses 3-D sensing, artificial intelligence, disability solutions, operatic talent and artistic creativity to deliver a groundbreaking performance.” —Sabbir Rangwala, Forbes

Sensorium Ex is both art and advocacy, aimed at giving new voice and opportunities to the disabled, using AI to benefit rather than harm, and changing the world of opera itself.” —Jeffrey Brown, PBS NewsHour

Sensorium Ex is an ambitious new opera that synthesizes artificial intelligence, disability, and the arts in a groundbreaking and innovative artistic work. This visionary production pushes the boundaries of what it means to have a voice, paving the way for future artists with disabilities.” —KVNO, Omaha’s Classical Radio

Sensorium Ex breaks open the operatic form to ask urgent questions about humanity, communication and who gets to be heard in the digital age. . . . It challenges our conventions of what it means to communicate, inviting us to explore the possibility of voice beyond language.” —International Arts Manager