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  • Published: 7 February 2019
  • ISBN: 9781473548909
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 192

Sea Monsters




The third novel from the inimitble Chloe Aridjis, one of the most taleneted and promising young writers in English today

Winner of the 2020 PEN/Faulkner Award

'A mesmerizing, revelatory novel, smart and funny and laced with a strangeness... For my money, Chloe Aridjis is one of the most brilliant novelists working in English today' Garth Greenwell

One autumn afternoon in Mexico City, 17-year-old Luisa does not return home from school. Instead, she boards a bus to the Pacific coast with the reckless, impulsive Tomás, a boy she barely knows. Their quest: to track down a troupe of Ukrainian dwarfs who have recently escaped a touring circus.

Together they head for Zipolite, the ‘Beach of the Dead’, a community peopled by hippies, nudists, beach combers and eccentric storytellers, and Luisa searches for someone, anyone, who will ‘promise, no matter what, to remain a mystery’. But as Luisa wanders the shoreline, she begins to discover that a quest is more easily envisioned than accomplished.

'Destined to be a classic: a richly imaginative, reflective and entracing novel' Xiaolu Guo

  • Published: 7 February 2019
  • ISBN: 9781473548909
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 192

About the author

Chloe Aridjis

Chloe Aridjis was born in New York and grew up in the Netherlands and Mexico. She is the author of two previous novels, Book of Clouds, which won the Prix du Premier Roman Etranger in France, and Asunder. Chloe writes for various art journals and was a guest curator at Tate Liverpool. In 2014 she was awarded a Guggenheim Fellowship. She lives in London.

Also by Chloe Aridjis

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Praise for Sea Monsters

Sea Monsters is a mesmerizing, revelatory novel, smart and funny and laced with a strangeness that is never facile but serves as a profound and poetic tool for navigating our shared world. Chloe Aridjis is the rare writer who reinvents herself in each book; she is, for my money, one of the most brilliant novelists working in English today

Garth Greenwell

Sea Monsters is destined to be a classic: a richly imaginative, reflective and mesmerising novel

Xiaolu Guo

I love the way Chloe Aridjis creates her own worlds in prose, and I especially love how Sea Monsters has invented the world of adolescence and its reveries: violent and tender, logical and dreamlike – a twenty-first century essay disguised as a nineteenth-century fable

Adam Thirlwell

A searingly hypnotic work, a dazzling tale of enchantment and disenchantment

Laura Esquivel, author of Like Water For Chocolate

Ethereal and ruminative . . . Brilliant in her ability to get inside the head of her young narrator, Aridjis skillfully renders a slightly zonked-out atmosphere of mystery and the mind of a young romantic, resulting in a strange and hypnotic novel.

Publishers Weekly

Intense and impressionistic, it seems to hang on in the air long after the last page.

Rupert Thomson

A dreamy, wandering tale of teenage ennui and searching, and the pull of the sea . . . Aridjis’s sentences are luminescent and imagistic . . . A lovely, surreal novel

Julia Kastner, Shelf Awareness

A dreamy, fantastical novel packed with lush description

Jill Capeway, HuffPost

Aridjis’s coming-of-age novel is rich in atmosphere, and there’s an undeniable charm to its dreamlike narrative

Anthony Gardner, Mail on Sunday

Reading this angsty and atmospheric novel was like busting open my adolescent 1980s veins and mainlining the entire Joy Division catalog right into my bloodstream. Just gorgeous

Samantha Irby, Marie Claire

Self-contained, inscrutable, and weirdly captivating, like a salvaged object that wants to return to the sea

Katy Waldman, New Yorker

Eccentrically detailed…Aridjis scrambles your brain, not with high-modernist pyrotechnics but by the stealthier means of undermining the assumption that a novel’s words exist to advance the story…You enjoy Luisa’s company without ever being quite sure why she wants us around

Anthony Cummins, Observer

The prose is mesmerising with strange and beautiful observations

Sunday Express

The novel's brilliance lies in capturing so convincingly that state of adolescent restlessness... Aridjis’s languid prose lets these images wash over the reader, unfurling in comma-rich sentences that beautifully render a state of inertia

Francesca Carington, Daily Telegraph

The language is precise, strange, evocative and wise... Aridjis’s novel poses far more questions than it answers, and it does so accurately and beautifully.

RO Kwon, Guardian

Aridjis riffs like a poet, letting each image twist and grow into the next... The novel’s strength lies in its ability to turn to the next magic trick, the next detail, the next sight. Those sights are all the more impressive when conjured solely from language. By opting out of fiction’s conventional prioritization of plot or character development, Aridjis foregrounds her ability to develop images and metaphors. The result is seductive in its multiplicity. Mallarmé would be proud

Lily Meyer, Atlantic

At once precise and impressionistic, [Sea Monsters] sympathetically navigates between dreams and disillusionment, while preserving intact its deeply beguiling spell

Stephanie Cross, The Lady

A mesmerising novel… Aridjis beautifully renders the perspective of a bored, intelligent, privileged teenage girl — a decadent, solipsistic daydream

Emily Rhodes, Financial Times

A surreal, captivating tale about the power of a youthful imagination, the lure of teenage transgression, and its inevitable disappointments . . . Aridjis allows her narrative to swell and recede like the sea, along with Luisa’s capacious imagination . . . Aridjis excels at writing a life lived in the borderlands between reality and fantasy... Moreover, the novel’s precocious teenage narrative voice is replete with sentences of rare beauty and power. I may start reading it again at once

Ellen Jones, Los Angeles Review of Books

Sea Monsters is a treasure chest of Luisa’s deftly curated visions

Angela Woodward, BOMB Magazine

Aridjis draws the reader in with gorgeous and poignant descriptions of setting, essayistic digressions on history and art, and moody suggestions of violence. She’s like a dreamier W. G. Sebald, or Baudelaire set to a soundtrack of Joy Division and the Cure. Further, there’s a sense of playfulness in Aridjis that a lot of people trying to write this kind of fiction never achieve

Wilson McBee, Southwest Review

Aridjis weaves into being a magical world of youthful daydreams and desires, and yet she never quite allows us to escape the other, less magical world lurking behind it

Annie McDermott, Time Literary Supplement