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  • Published: 5 June 2014
  • ISBN: 9781448182923
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 208

Never Any End to Paris




Trying to be Ernest Hemingway is never easy.

After reading A Moveable Feast, aspiring novelist Enrique Vila-Matas moves to Paris to be closer to his literary idol, Ernest Hemingway. Surrounded by the writers, artists and eccentrics of '70s Parisian café culture, he dresses in black, buys two pairs of reading glasses, and smokes a pipe like Sartre. Now, in later life, he reflects on his youth while giving a three-day lecture on irony. And he’s still convinced he looks like Hemingway.

Never Any End to Paris is a hilarious, playful novel about literature and the art of writing, and how life never quite goes to plan.

  • Published: 5 June 2014
  • ISBN: 9781448182923
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 208

About the author

Enrique Vila-Matas

Enrique Vila-Matas is widely considered to be one of Spain's most important contemporary novelists. His work has been translated into 30 languages and has won numerous international literary prizes, including the Herralde Prize, the Prix Médicis étranger and the Premio Rómulo Gallegos. Vila-Matas' books have been longlisted (Montano) and shortlisted (Dublinesque) for the Independent Foreign Fiction Prize, and Never Any End to Paris was a finalist for the US Best Translated Book Award.

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Praise for Never Any End to Paris

Vila-Matas's touch is light and whimsical, while his allusions encompass a rogue's gallery of world literature

The Economist

The most important living Spanish author

Time Out New York

A virtuoso balletic pas de deux of memory and imagination... There is something reminiscent in the fictional young Vila-Matas of Woody Allen... Not only does this novel glitter with sharp ideas and observations, it may just be the best book I've ever read about Paris.

TLS

One of Spain's most inventive and enjoyable novelists

Irish Examiner

A strikingly original book

Cork Evening Echo

Utterly compelling...breathtakingly accomplished... I was left satisfied, yet somehow wishing this captivating raconteur had continued indefinitely

Literary Review

By the end of it I was fully seduced by its self-portrait of the artist as a young writer... This wonderful book only reconfirms the never-ending-ness of Paris

Independent

Entrancing

Christopher Hirst, Independent

An ironic anti-novel about the novel: it poses serious questions about the form’s limitations in being able to capture the protean reality of memory and identity but also argues for its continuing relevance (taking its cue from writers like Barthes, Perec and Queneau who appear in its pages) as a post-modernist game of ideas, a thought-provoking jeu d’esprit.

Oliver Dixon, Nudge