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  • Published: 15 December 2001
  • ISBN: 9780375759123
  • Imprint: Random House US Group
  • Format: Paperback
  • Pages: 288
  • RRP: $39.99

The Temptation of Saint Anthony



A book that deeply influenced the young Freud and was the inspiration for many artists, The Temptation of Saint Anthony was Flaubert’s lifelong work, thirty years in the making. Based on the story of the third-century saint who lived on an isolated mountaintop in the Egyptian desert, it is a fantastical rendering of one night during which Anthony is besieged by carnal temptations and philosophical doubt.

This Modern Library Paperback Classic reproduces the distinguished Lafcadio Hearn translation, which translator Richard Sieburth calls “a splendid period piece from one of America’s premier translators of nineteenth-century French prose. In Lafcadio Hearn’s Latinate rendering, Flaubert’s experimental drama of the modern consciousness reads as weirdly as its oneiric original.”

  • Published: 15 December 2001
  • ISBN: 9780375759123
  • Imprint: Random House US Group
  • Format: Paperback
  • Pages: 288
  • RRP: $39.99

About the author

Gustave Flaubert

Gustave Flaubert was born in Rouen in 1821, the son of a distinguished surgeon and a doctor's daughter. After three unhappy years of studying law in Paris, an epileptic attack ushered him into a life of writing. Madame Bovary won instant acclaim upon book publication in 1857, but Flaubert's frank display of adultery in bourgeois France saw him go on trial for immorality, only narrowly escaping conviction. Both Salammbo (1862) and The Sentimental Education (1869) were poorly received, and Flaubert's genius was not publicly recognized until Three Tales (1877). His reputation among his fellow writers, however, was more constant and those who admired him included Turgenev, George Sand, Victor Hugo and Zola. Flaubert's obsession with his art is legendary: he would work for days on a single page, obsessively attuning sentences, seeking always le mot juste in a quest for both beauty and precise observation. His style moved Edmund Wilson to say,'Flaubert, by a single phrase - a notation of some commonplace object - can convey all the poignance of human desire, the pathos of human defeat; his description of some homely scene will close with a dying fall that reminds one of great verse or music.' Flaubert died suddenly in May 1880, leaving his last work, Bouvard and Pécuchet, unfinished.

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