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  • Published: 15 June 2016
  • ISBN: 9781841593739
  • Imprint: Everyman
  • Format: Hardback
  • Pages: 1096
  • RRP: $32.99

Mavis Gallant Collected Stories



A collection of fifty-two stories selected from across her prolific career by the author, is preceded by a preface in which she discusses the sources of her art.

This generous collection of fifty-two stories selected from across her prolific career by the author, is preceded by a preface in which she discusses the sources of her art.

With irony and an unfailing eye for the telling detail, Gallant weaves stories of spare complexity, often pushing the boundaries of the form in boldly unconventional directions. The settings in the COLLECTED STORIES range from Paris to Berlin to Switzerland, from the Riviera to the Côte d'Azur, and her characters are almost all exiles of one sort or another, as she herself was the most of her expatriate life.

The wit and precision of her prose, combined with her expansive view of humanity, provide a rare and deep reading pleasure. With breathtaking control and compression, Gallant delivers a whole life, a whole world, in each story.

  • Published: 15 June 2016
  • ISBN: 9781841593739
  • Imprint: Everyman
  • Format: Hardback
  • Pages: 1096
  • RRP: $32.99

About the author

Mavis Gallant

A widely admired master of the short story, Mavis Gallant was a Canadian-born writer who lived in France and died in 2014 at the age of ninety-one. Her more than one hundred stories, most published in The New Yorker over five decades beginning in 1951 have influenced generations of writers and earned her comparisons to Anton Chekhov, Henry James, and George Eliot. She has been hailed by Michael Ondaatje as "one of the great story writers of our time."

Praise for Mavis Gallant Collected Stories

One of the most brilliant story writers in the language.

The New Yorker

Gallant's talent is as versatile and witty as it is somber and empathetic.

John Updike

Funny, exacting, and stern... Gallant's chronicles of internal and external exile are a fitting tribute to a diasporic century.

The Guardian