Life of the Party

Life of the Party is largely a memoir, with memories of friendship as well as violence… [It] is also a meditation on Gatwood’s obsession with the true crime genre and her long-running fear of male violence.

New York Times

Life of the Party follows an arc from Gatwood’s own adolescence to adulthood... It also asks us to remember the stories of those most vulnerable, the women whose stories are too often ignored.

them.us

A reaction to, and a guttural cry against, the fear that shapes so many women’s lives. A book that is so very many different things: ferocious, melancholic, wistful, joyful, furious.

Culturefly

I am stirred by the poems in this book – it is a sharp, unflinching collection of poems about girlhood, wonder, casual everyday violence. Everything true – and disappointing. Memories that we recognize. Everything tragic, stunning, raw.

Yrsa Daley-Ward, author of The Terrible

Ground-breaking and original poems that candidly face the complications of the female experience, that of negotiating an existence in a world that both excited and terrifies. Gatwood's writing unearths some of my deepest fears as a woman ... These poems – cautious, direct, brave – made me face uncomfortable truths, like all great poetry should.

Elaine Feeney, author of How to Build a Boat

Olivia writes about the women who were forgotten and the men who got off too easy with an empathy and anger that yanked every emotion on the spectrum out of me. Her words can ‘make a crop top out of anything,’ and make you laugh, cry, and walk around the block three times, thinking ‘How did she do that?’ Imagine our luck, getting to live in the age of Olivia Gatwood. Goddamn.

Jamie Loftus

Life of the Party is an electrifying collection of poems about the agonies and ecstasies of being a young woman.

Leigh Stein

Olivia Gatwood is a revolution of woman, a flurry of insight harnessing the language of self-assessment and acceptance. Her poems invite a contemporary understanding of sexuality and the feminine form, feminism and inclusion, intersection and advocacy. Her metaphors and images are both breath and being. This book is an offering to the silenced for firepower and reflection. A haystack of hallelujahs reside in these pages.

Mahogany L. Browne