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Hellboy Omnibus Volume 1: Seed of Destruction
  • Published: 22 May 2018
  • ISBN: 9781506706665
  • Imprint: Dark Horse Books
  • Format: Paperback
  • Pages: 368
  • RRP: $42.99
Categories:

Hellboy Omnibus Volume 1: Seed of Destruction

Formats & editions
Paperback
22 May 2018
EBook
22 May 2018
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The Hellboy saga begins--with over 300 pages drawn by Mignola! For the first time, Hellboy's complete story is presented in chronological order for the ultimate reading experience.

The Hellboy saga begins--with over 300 pages drawn by Mignola! For the first time, Hellboy's complete story is presented in chronological order for the ultimate reading experience.

The story jumps from Hellboy's mysterious World War II origin to his 1994 confrontation with the man who summoned him to earth, and the earliest signs of the plague of frogs. Avoiding his supposed fate as the herald of the end of the world, Hellboy continues with the Bureau for Paranormal Research and Defense, fighting alongside Abe Sapien, Liz Sherman, and drafting Roger Homunculus into his own ill-fated service with the B.P.R.D.

The four volume Hellboy Omnibus series along with the two volumes of The Complete Short Stories collect all of Mignola's award-winning Hellboy stories in chronological order for a definitive reading experience.

This 368-page volume covers Hellboy's adventures from 1994 to 1997, reprinting Seed of Destruction, Wake the Devil, and "Wolves of St August," "The Chained Coffin," and "Almost Colossus," from The Chained Coffin and The Right Hand of Doom.

''Mignola, Byrne, and Chiarello have created a perfect introduction to Mignola's Hellboy, his mysterious surroundings, and the unanswered questions that surround his origin.''--Comics Authority
  • Published: 22 May 2018
  • ISBN: 9781506706665
  • Imprint: Dark Horse Books
  • Format: Paperback
  • Pages: 368
  • RRP: $42.99
Categories:

About the authors

John Byrne

Born in England and raised in Canada, John Byrne discovered superheroes through The Adventures of Superman on television. After studying at the Alberta College of Art and Design, he broke into comics first with Skywald and then at Charlton, where he created the character Rog-2000. Following his tenure at Charlton, Byrne moved to Marvel, where his acclaimed runs on The Uncanny X-Men and The Fantastic Four soon made him one of the most popular artists in the industry. In 1986 he came to DC to revamp Superman from the ground up, and since then he has gone on to draw and/or write every major character at both DC and Marvel.
JB

Mike Mignola

Mike Mignola's fascination with ghosts and monsters began at an early age; reading Dracula at age twelve introduced him to Victorian literature and folklore, from which he has never recovered. Starting in 1982 as a bad inker for Marvel Comics, he swiftly evolved into a not-so-bad artist. By the late 1980s, he had begun to develop his own unique graphic style, with mainstream projects like Cosmic Odyssey and Batman: Gotham by Gaslight. In 1994, he published the first Hellboy series through Dark Horse. There are thirteen Hellboy graphic novels (with more on the way), several spin-off titles (B.P.R.D., Lobster Johnson, Abe Sapien, and Sir Edward Grey: Witchfinder), prose books, animated films, and two live-action films starring Ron Perlman. Along the way he worked on Francis Ford Coppola's film Bram Stoker's Dracula (1992), was a production designer for Disney's Atlantis: The Lost Empire (2001), and was the visual consultant to director Guillermo del Toro on Blade II (2002), Hellboy (2004), and Hellboy II: The Golden Army (2008). Mike's books have earned numerous awards and are published in a great many countries. Mike lives in Southern California with his wife, daughter, and cat.
MM

Praise for Hellboy Omnibus Volume 1: Seed of Destruction

"One of the great sagas of the modern comic book industry."--IGN


"Hellboy is one of the most widely praised and visually distinctive comics of the last three decades." --The Guardian

"One of the great sagas of the modern comic book industry."--IGN


"Hellboy is one of the most widely praised and visually distinctive comics of the last three decades." --The Guardian