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  • Published: 26 March 2019
  • ISBN: 9780771073175
  • Imprint: McClelland & Stewart
  • Format: Paperback
  • Pages: 96
  • RRP: $32.99
Categories:

Drolleries




The second poetry collection from the award-winning author of Hacker Packer

The second poetry collection from the award-winning author of Hacker Packer

RAYMOND SOUSTER AWARD FINALIST

Invoking human-animal hybrids in various stages of metamorphosis, Drolleries veers between the beasts of the forest and the opulence of the art gallery. Personal and historical struggles are held against the backdrop of the grotesque and fantastic: A marriage unravels in Goya's Black Room. The diagnosis of a blood-clotting mutation is read through the tarot. The violence of the patriarchy is filtered through the subconscious. In sonically rich lyric poems that traverse the vulnerability of confession and the dramatic possibilities of persona, Drolleries invokes its monsters as a means of working through internal turmoil, existential doubt, and heartbreak. This collection investigates how the lure of romantic relationships, the enchantments of art, and the seductions of power can be both destructive and transformative - and ultimately become a pathway to self-realization.

  • Published: 26 March 2019
  • ISBN: 9780771073175
  • Imprint: McClelland & Stewart
  • Format: Paperback
  • Pages: 96
  • RRP: $32.99
Categories:

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Praise for Drolleries

Praise for Cassidy McFadzean and Hacker Packer:

  • "McFadzean's debut collection is a finely layered exploration of language and archetype rooted in mythology, history, intimate reflections, and more external ghosts. It is all unearthed in deliciously adroit wordplay and exploration of form, capped off in two perfect, mirrored closing notes--one long, one short--that leave the tongue still thirsty, tasting peaty, tilled earth. A most satisfying and accomplished collection." --Publishers Weekly

  • "The poems in Hacker Packer cross imaginative boundaries between human and animal, intimate strangers and mythical beasts, and traverse a self-scrutinizing frontier between pathos and mordant irony. McFadzean is as anxiously comfortable with the idiom of Justin Bieber as she is with that of bardic Old English, and maps her way across a densely laid path of sound and forms. Her work is a dazzling and sometimes threatening guidebook to an interior landscape of 'no sure footing we found we stood on.'" --Mark Levine, author of The Wilds
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