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  • Published: 31 December 1994
  • ISBN: 9780099909101
  • Imprint: Arrow
  • Format: Paperback
  • Pages: 384
  • RRP: $29.99

Death in the Afternoon




Hemingway's classic portrait of the pageantry of bullfighting, from the Nobel Prize-winning author of A Farewell to Arms.

A fascinating look at the history and grandeur of bullfighting, Death in the Afternoon is also a deeper contemplation on the nature of cowardice and bravery, sport and tragedy, and is enlivened throughout by Hemingway's pungent commentary on life and literature.

Seen through his eyes, bullfighting becomes an art, a richly choreographed ballet, with performers who range from awkward amateurs to masters of great grace and cunning.

  • Published: 31 December 1994
  • ISBN: 9780099909101
  • Imprint: Arrow
  • Format: Paperback
  • Pages: 384
  • RRP: $29.99

About the author

Ernest Hemingway

ERNEST HEMINGWAY was raised in Oak Park, Illinois, the child of a physician and a musician. After high school, he became a journalist with The Kansas City Star, before enlisting to be an ambulance driver in World War I. He returned home after a serious injury in 1918, but his military experience informed his fiction, especially A Farewell to Arms. He worked as a war correspondent for The Toronto Star during his first marriage, and over the next three marriages he would live in Paris, London, Key West, and Cuba. He published seven novels, six short story collections, and two nonfiction titles. On safari in Africa in 1952 he survived two plane crashes, though his obituaries ran prematurely. He lived on to win the Nobel Prize in Literature in 1954. Two trunks of his early work from Paris reappeared in 1957, and inspired him to write his memoir A Moveable Feast. He eventually committed suicide in Idaho in 1961.

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Praise for Death in the Afternoon

Hemingway's style, at its best, is a superb vehicle for revealing tenderness of feeling beneath descriptions of brutality

Guardian

The most readable and the most nearly exhaustive account of the Spanish Bullfight that we have

V.S. Pritchett

Hemingway's style, at its best, is a superb vehicle for revealing tenderness of feeling beneath descrptions of brutality

Guardian