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From the award-winning author of Hades and Eden comes an ingenious and edgy suspense novel that will keep you guessing to the very last page . . .

'One of the best crime thrillers of the year' LEE CHILD

'A masterful novel' HARLAN COBEN

'A bright new star' JAMES PATTERSON

12.46: Thirteen-year-old Claire Bingley stands alone at a bus stop
12.47: Ted Conkaffey parks his car beside her
12.52: The girl is missing . . .

Six minutes – that’s all it took to ruin Detective Ted Conkaffey’s life. Accused but not convicted of Claire’s abduction, he escapes north, to the steamy, croc-infested wetlands of Crimson Lake.

Amanda Pharrell knows what it’s like to be public enemy number one. Maybe it’s her murderous past that makes her so good as a private investigator, tracking lost souls in the wilderness. Her latest target, missing author Jake Scully, has a life more shrouded in secrets than her own – so she enlists help from the one person in town more hated than she is: Ted Conkaffey.

But the residents of Crimson Lake are watching the pair’s every move. And for Ted, a man already at breaking point, this town is offering no place to hide . . .

Formats & editions

  • Trade Paperback

    9780143781905

    January 30, 2017

    Bantam Australia

    400 pages

    RRP $32.99

    Online retailers

    • Abbey's Bookshop
    • Angus & Robertson Bookworld
    • Booktopia
    • Boomerang Books
    • Collins Booksellers
    • Dymocks
    • Books Kinokuniya
    • The Nile
    • QBD
    • Readings
    • Robinsons Bookshop
    Or

    Find your local bookstore at booksellers.org.au

  • EBook

    9780143781912

    January 30, 2017

    RHA eBooks Adult

    400 pages

    Online retailers

    • iBooks
    • Amazon Kindle
    • Booktopia
    • eBooks
    • Google Play
    • Kobo
    Or

    Find your local bookstore at booksellers.org.au

Extract

Here’s what I remember. And it’s a lie. It’s a composite memory, built from things I actually remember, stuff I heard during my trial, what I read in the paper and things whispered to me in my jail cell while I was on remand. Some bits and pieces I’m sure come from my nightmares – it’s possible that the storm wasn’t so foreboding, or her eyes so big and pretty. But the memory of those fatal moments is impossibly clear. More fabrication than history. The narrative is woven from many colourful strings. It cannot be snapped now, even if small ?bres over the years will part and coil away. I believe it. Even if I know it isn’t true.

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