Brown's Requiem
  • Published: 30 November 2011
  • ISBN: 9781448108565
  • Imprint: Cornerstone Digital
  • Format: EBook
  • Pages: 256

Brown's Requiem

Formats & editions
EBook
30 Nov 2011
Paperback
2 Jan 2013
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The extraordinary debut novel from the indomitable demon dog: James Ellroy

The extraordinary debut novel from the indomitable demon dog: James Ellroy. Los Angeles – Fritz Brown, ex-alcoholic private eye with a stained past, makes do with car repossessions and classical music. Then he is offered a case by Freddy 'Fat Dog' Baker, an eccentric golf caddy whose sister has made off with a much older man.

This is the beginning of the nightmare: the underworld of golf caddies, arson and incest played against the backdrop of an LA surreal by night and bad by day; of long-hidden secrets that will drive Brown back to the bottle and to the gun: all conspire to make this one of the most hypnotic crime novels ever written.
  • Published: 30 November 2011
  • ISBN: 9781448108565
  • Imprint: Cornerstone Digital
  • Format: EBook
  • Pages: 256
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About the author

James Ellroy

James Ellroy was born in Los Angeles in 1948. He is the author of the acclaimed 'L.A. Quartet': The Black Dahlia, The Big Nowhere, L.A. Confidential and White Jazz. His novel Blood's A Rover completes the magisterial 'Underworld USA Trilogy' - the first two volumes of which (American Tabloid and The Cold Six Thousand) were both Sunday Times bestsellers. His last novel Widespread Panic received wide praise, with The Times calling it 'extraordinary'.

portrait photo of James Ellroy

Also by James Ellroy

The Enchanters
Widespread Panic
The L.A. Quartet
American Tabloid and The Cold Six Thousand
This Storm
Perfidia
Because the Night
See all

Praise for Brown's Requiem

The man who calls himself the "demon dog" of American crime fiction is still the classiest act around.

Daily Mail

An undeniably artful frenzy of violence, guilt and unappeased self-loathing. Ellroy's crime fiction represents a high mark in the genre

New York Newsday

Ellroy is a master at juggling plot lines, using a stripped, spare noir style that hits like a cleaver but is honed like a scalpel

Chicago Tribune

The outstanding American crime writer of his generation.

Independent