A Sudden Flicker of Light

The best writer on film in our time

Michael Ondaatje

What Thomson does not know or feel about films is not worth knowing or feeling

Guardian

A giant in the world of film criticism

The Times

The greatest living writer on the movies

John Banville

One of the liveliest, most literate, productive, provocative and daring movie critics

Observer

He is irreplaceable

The New York Times

After a lifetime of helpless thraldom to beautiful people in the dark, Thomson has written a spirited jeremiad against the influence of the movies on us and on politics

Stephen Smith, Financial Times

I once took a book out of the library and was annoyed to find a previous reader has underlined every line in pencil. It seemed so indiscriminate. Reading David Thomson’s A Sudden Flicker of Light, I finally understood the urge. There are so many revelations, so many insights, that a highlighter pen would have given the whole book a radioactive glow

John Bleasdale, Sight and Sound

A Sudden Flicker of Light hurtles around conceptual corners, pinballing between genres and eras inside a single chapter. The phrasing is arch and self-aware, full of sharp cuts but he’s also excellent on condensed, full-colour biographies … There will always be a level of hand-wringing around what we consume and its implications. Thomson at least has the good grace to make the conversation an entertainment in itself

Hillary Adam White, Irish Independent

David Thomson, who knows more about cinema than anyone alive, is like a good Catholic: his doubts about the medium are as strong as his faith. Does cinema matter anymore? In the ubiquitous saturation of formulaic stories and familiar images, is real originality still possible? And would anyone notice? No-one is better qualified than Thomson to survey the history of cinema with wit and insight - and the bonus is a striking judgement on every page

David Hare

Thomson’s commentary on films is so filled with rich insights, connections and asides that it is easy to enter his imaginary world, in which film is as vivid and revealing as any reality… Lively and perceptive

Mark Glancy, Literary Review

Deeply personal, persuasive and intelligently-argued… Lively, entertaining and unpredictable… Thomson is an excellent critic and his sharp, often witty writing brings to life many celebrated works

Greg Jameson, Entertainment Focus

Thomson is unique in his field: intellectual, opinionated, informed and funny. So much film criticism is clichéd or unadventurous – he tackles it with a bullwhip, a magnifying glass and a sardonic grin… This book could be his Citizen Kane… This is a book with the learning of an encyclopaedia, the wisdom of a novel and the zingers of a screwball comedy

Ed Potton, The Times

David Thomson is the doyen of film historians, and for most of a century has, he tells us, seen two films a day pretty well every day. He knows a lot… Thoughtful, insightful and rather haunting… I enjoyed this book so much that I came close to missing the deadline for the review. I kept having to break off to see if a movie Thomson had wonderfully evoked was, as it ought to be, on the streaming services

Philip Hensher, Spectator

What animates A Sudden Flicker of Light is not the sheer love of film that he has so often expressed, but newly severe doubts, even moral nausea, about the effect cinema has had on us all over the past century in loosening our grasp on reality

David Sexton, Evening Standard

As an intellectual thought experiment and an exercise in radical self-scrutiny, the book is utterly compelling… Even as Thomson questions the passion that has defined his life, he reaffirms it – and infectiously so

Matt D’Ancona, The New World

The best writer on film in our time

Michael Ondaatje

What Thomson does not know or feel about films is not worth knowing or feeling

Guardian

A giant in the world of film criticism

The Times

One of the liveliest, most literate, productive, provocative and daring movie critics

Observer

The greatest living writer on the movies

John Banville