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Sabine Folie
The Internet Does Not Exist
Journal E
How To Be Drawn
Terrance Hayes
Go Figure! New Perspectives on Guston
PETER BENSON MILLER
Works of Game
John Sharp
Formalism and Historicity
Benjamin H. D. Buchloh
On the Camera Arts and Consecutive Matters
Hollis Frampton
Realism after Modernism
Devin Fore
Isa Genzken
Lisa Lee
aka Marcel Duchamp
Anne Collins Goodyear
Glittering World
LOIS SHERR DUBAN
100 Essential Things You Didn't Know You Didn't Know About Maths and the Arts
John D. Barrow
Retracing the Expanded Field
Spyros Papapetros
The Missing Pieces
Henri Lefebvre
Inside The Art Studio
Art in America 1945-1970 (LOA #259)
Jed Perl
Interplay
Amy L. Brandt
Photography
DK
Troubling Research
Carola Dertnig
Forthcoming, second edition
Jalal Toufic
Playing to the Gallery
Perry Grayson, Grayson Perry
Playing to the Gallery
Perry Grayson, Grayson Perry
ON&BY Christian Marclay
Jean-Pierre Criqui
The Rhythmic Event
Eleni Ikoniadou
The Futurist Cookbook
Filippo Tommaso Marinetti
Is It My Body?
Kim Gordon
Speculative Aesthetics
Robin Mackay
Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground
Hans-Ulrich Obrist
Ways of Curating
Hans-Ulrich Obrist
John Knight
Andre Rottmann
Understanding a Photograph
John Berger
Breakfast At Sotheby's
Philip Hook
ON&BY LUC TUYMANS
Peter Ruyffelaere
The Uncertainty Principle
Martin Herbert
Undoing Property?
Marysia Lewandowska
Culture Class
Martha Rosler
Before and after the Horizon
David Penney
Robert Morris
Julia Bryan-Wilson
History from Things
Stephen Lubar,David W. Kingery
The Art of Controversy
Victor S Navasky
Monday Begins on Saturday
Ekaterina Degot
Spiritual American Trash
Greg Bottoms
Hélio Oiticica and Neville D'Almeida
Sabeth Buchmann, Max Jorge Hinderer Cruz
Perpetual Inventory
Rosalind E. Krauss
Forgetting the Art World
Pamela M. Lee
Dada in Paris
Michel Sanouillet
The Artist's House
Kirsty Bell
The Archive as a Productive Space of Conflict
Markus Miessen
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