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  • Published: 2 January 2012
  • ISBN: 9781935554622
  • Imprint: Melville House
  • Format: Paperback
  • Pages: 160
  • RRP: $29.99

The President




The second Simenon to be reprinted in the Melville House Neversink Library, The President represents an ongoing project of rediscovering and re-publishing a select number of long-unavailable titles by this stupefyingly prolific French master.

Restored to print for the first time in more than forty years, The President was hailed by the New York Times as a “tour de force”

At 82, the former premier lives in alert and suspicious retirement—self exile—on the Normandy coast, writing his anxiously anticipated memoirs and receiving visits from statesman and biographers. In his library is the self-condemning, handwritten confession of the premier’s former attaché, Chalamont, hidden between the pages of a sumptuously produced work of privately printed pornography—a confession that the premier himself had dictated and forced Chalamont to sign. Now the long-thwarted Chalamont has been summoned to form a new coalition in the wake of the government’s collapse. The premier alone possesses the secret of Chalamont’s guilt, of his true character—and has publicly vowed: “He’ll never be Premier as long as I’m alive... Nor when I’m dead, either.” Inspired by French Premier Georges Clemenceau, The President is a masterpiece of psychological suspense and a probing account of the decline of power.

  • Published: 2 January 2012
  • ISBN: 9781935554622
  • Imprint: Melville House
  • Format: Paperback
  • Pages: 160
  • RRP: $29.99

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Praise for The President

In fact, it is through the character's actions that he is defined, and since most Simenon characters are driven and obsessive, their actions are outside the constraints of ordinary life and, as such, are of striking ethical and psychological interest... Simenon has often been compared to Dostoyevsky because of their tragic vision and their themes of guilt and alienation --New York Times

Simenon's prose rejoices in the virtues of his virtuosity: it is economical, supple, precise....He writes entertainingly about corruption, cruelty or grief because he jousts at human follies without judging them. --Time magazine

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