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About the book
  • Published: 5 July 2013
  • ISBN: 9781775533047
  • Imprint: RHNZ Adult ebooks
  • Format: EBook
  • Pages: 344

The Fall of Light




An excitingly contemporary and innovative blend of a beautifully written novel with pictures by a critically acclaimed author.

An excitingly contemporary and innovative blend of a beautifully written novel with pictures by a critically acclaimed author.

Rudy is a successful architect, but life is not as happy as it should be. His work leaves him artistically frustrated, his wife and two young daughters have moved out of the house he designed for them, and his pushy young associate is vying for design supremacy. When a Vespa accident puts him into hospital and forces him to recuperate at home, he looks in danger of losing everything, but it is then that his repressed artistic yearnings start to make their presence felt, not just in the glass creations he begins to craft, but also in his strange, vivid dreams.

This is a terrific novel in its own right, but with Sarah Laing's superb ink-wash drawings, interspersing the text, it offers an additional and intriguingly innovative way to tell a story.

  • Pub date: 5 July 2013
  • ISBN: 9781775533047
  • Imprint: RHNZ Adult ebooks
  • Format: EBook
  • Pages: 344

About the Author

Sarah Laing

Sarah Laing is a fiction writer and graphic artist. Born in Urbana-Champaign, USA, in 1973, and raised in Palmerston North, she studied at Victoria University, and worked as a graphic designer in Wellington and New York City. She won the Sunday Star-Times Short Story Competition in 2006, and has since published a short story collection, Coming Up Roses, and a novel, Dead People’s Music. Of the latter, a reviewer on Radio New Zealand National said, ‘It’s wonderful . . . fantastic . . . it’s one of the best first New Zealand novels I have ever read. [The places are] very vividly drawn . . . it’s a marvellous journey that [Rebecca] goes on . . . This is clever, clever writing, strong characters, wonderfully evoked setting and I highly recommend it.’

Laing was a Michael King Writers Centre Writer in Residence in 2008, was awarded the Buddle Findlay Fellowship in 2010, and received the Michel King Writers’ Centre six-month University of Auckland Residency to work on a graphic novel about Katherine Mansfield that is part-biography, part-memoir and part-fiction. I

In her most recent novel, The Fall of Light, she combines the form of a traditional novel with graphics. See more on her website (www.poppyshock.com), Twitter (@sarahelaing) and blog (sarahelaing.wordpress.com).

The Press identified Laing as ‘our next great short-story writer . . . a real talent . . .a writer of intelligence and wit’, and in The New Zealand Listener, Paula Morris wrote ‘the verve and clarity of the writing in Coming Up Roses, along with the wry, offside skewness of many of its stories, reminded me of reading Emily Perkins’s first book’.

Maggie Rainey-Smith, reviewing Dead People’s Music on Beattie’s Blog, wrote, ‘Think somewhere between Zoe Heller and Zadie Smith. It is a book that takes itself seriously while being witty and insightful, tender and scathing, smart and innocent, fast-paced and even a little bit disgusting … The prose is utterly confident and never seems to falter.’

Laing is also a talented illustrator, and is acquiring a reputation as a graphic artist and cartoonist, publishing her quirky images in such publications as Metro, Book Notes and Little Treasures, and on her popular blog. She illustrated Paula Green’s collection of poems for children, Macaroni Moon.

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Praise for The Fall of Light

“What makes the novel work is that the characters are strong. None of them are especially likeable, but they are wholly credible. Laing has little difficulty creating credible males: both Rudy, with his paroxysms of possessive jealousy, and his best mate Greg ring true, as does their occasionally turbulent mateship. Laura is interesting, too, and the moment when Rudy's character and the novel both come alive is when Greg's mother arrives to look after him, and gives him a shave. The intimacy, the resonances of their relationship when he was a boy, the ghost of her husband and his father ... it's a well- drawn, nuanced human moment. It feels real.”

John McCrystal, NZ Books


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