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  • Published: 15 November 2016
  • ISBN: 9781401243791
  • Imprint: DC Comics
  • Format: Hardback
  • Pages: 224
  • RRP: $300.00
Categories:

Absolute Batman Year One



Frank Miller's genre-defining Batman: Year One is given the Absolute edition treatment!

Thirty years after its debut, DC Comics is proud to present the definitive Absolute Edition of this modern comics classic. Together with a wealth of behind-the-scenes material from its creators—including the complete scripts and pencil breakdowns for all four issues—ABSOLUTE BATMAN: YEAR ONE offers two distinct versions of the legendary story: Book One features the acclaimed single-volume graphic novel edition with every page newly rescanned and remastered by Mazzucchelli and Lewis from their original boards, while Book Two features the never-before-collected process color edition of the original newsprint comics, sourced from all-new scans made by Mazzucchelli and Lewis from their personal copies of BATMAN #404-407.
 
Originally published over four issues of the monthly BATMAN title in 1986 and 1987, BATMAN: YEAR ONE has gone on to become one of the most popular and influential graphic novels in the history of American comics. Written by Frank Miller and illustrated by David Mazzucchelli with colors by Richmond Lewis, this masterful reimagination of Bruce Wayne’s first year as the Dark Knight Detective has electrified generations of readers with its unprecedented fusion of gritty realism and elegance of form.

  • Published: 15 November 2016
  • ISBN: 9781401243791
  • Imprint: DC Comics
  • Format: Hardback
  • Pages: 224
  • RRP: $300.00
Categories:

About the author

Frank Miller

Frank Miller began his career in comics in the late 1970s, first drawing then writing Daredevil for Marvel Comics, creating what was essentially a crime comic disguised as a superhero book. It was on Daredevil that Miller gained notoriety, honed his storytelling abilities, and took his first steps toward becoming a giant in the comics medium. After Daredevil came Ronin, a science-fiction samurai drama that seamlessly melded Japanese and French comics traditions into the American mainstream; and after that, the groundbreaking and acclaimed Batman: The Dark Knight Returns and Batman: Year One, both of which not only redefined the classic character, but also revitalized the industry itself. Finally able to fulfill his dream of doing an all-out, straight-ahead crime series, Miller introduced Sin City in 1991. Readers responded enthusiastically to Miller's tough-as-leather noir drama, creating an instant sales success. His multi-award-winning 300 series from Dark Horse, a telling of history's most glorious and underreported battle, was brought to full-blooded life in 1998. In 2001, Miller returned to the superhero genre with the bestselling Batman: The Dark Knight Strikes Again. Frank Miller continues to push the medium into new territories, exploring subject matter previously untouched in comics, and his work consistently receives the highest praise from his industry peers and readers everywhere. In 2005, with the hugely successful Sin City movie release, codirected with Robert Rodriguez, Miller added a director's credit to his already impressive résumé and introduced his characters to an entirely new legion of fans worldwide.

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Praise for Absolute Batman Year One

"A gritty and atmospheric retelling of Batman's earliest days, as told by the author of the seminal Dark Knight Returns. Mazzucchelli's art brings a new level of emotional intensity and realistic, muscular action." --Booklist

"If there is one book that deserves mention in the same breath as Watchmen or The Dark Knight Returns, it's Batman: Year One." --Miami Herald

"This is a story no true Batman fan should be able to resist." --School Library Journal

"You know that saying, 'If you read just one book, this is the one to read'? Well, that applies to Batman: Year One. It's not only one of the most important comics ever written, it's also among the best." --IGN

"There's never been storytelling quite like this. It took someone who views comics as an art to create it." -- The Washington Post