1Q84: Book 3

Murakami's magnum opus

Japan Times

It is a work of maddening brilliance and gripping originality, deceptively casual in style, but vibrating with wit, intellect and ambition

Richard Lloyd Parry, The Times

Eerie, suspenseful and packed full of gorgeous ordinary details and provocative extraordinary events, Murakami takes weighty themes and delivers a compulsive tale that is funny, fresh and intensely surreal. Unmissable

Marie Claire

His default setting as a writer lies in documenting a muted alienation - Kafka with an iPod - and solace, in his books, tends to be found in the sudden human connection of sex and longing, but mostly his characters, like his readers, are left to figure things out on their own with shifting and partial information to go on

Observer

The novel of the year... such are Murakami's gifts, both in terms of his imagination and his skills as a writer, that the near-magical world he conjures seems real and tangible

Word

It is natural that his work should enchant younger readers, to whom the problems of being are still fresh, as well as others who never grew out of such puzzlements - that his books should send an outstretched hand of sympathy to anyone who feels that they too have been tossed, without their permission, into a labyrinth

Guardian

1Q84 reads like a cross between Stieg Larsson and Roberto Bolaño... In its bones, this novel is a thriller

Daily Telegraph

A whole host of Murakami icons from talking cats to one-way portals all contribute to this rich and often perplexing mix. But ultimately, 1Q84 is a simple love story that ends on a metaphysical cliff-hanger... a delicious paranormal stew

Independent on Sunday

Which other author can remind you simultaneously of Fyodor Dostoyevsky and JK Rowling, not merely within the same chapter but on the same page? Viewed through the "post-modern" lens, his exemplary blend of a light touch and weighty themes, of high literature and popular entertainment, ticks every box. Posh and pop, sublimity and superficiality, history and fantasy, trash and transcendence: they switch positions and then fuse

Boyd Tonkin, Independent

A postmodernist mélange of fantasy worlds, dystopias, alternate realities and genre pastiches, all overlaid on an unsuspecting contemporary Japan. They are the sort of fiction that usually attracts a cult following, but Mr Murakami's cult spreads across the globe

Wall Street Journal

A surreal twist on the formula of David Nicholl's One Day; fate preventing two soulmates from getting together from getting together for decades... Stieg Larsson enthusiasts may enjoy the novel too as Aomame could be Lisbeth Salander's Japanese cousin... What makes Murakami cool as well as popular is has metaphysical mischievousness, his playing around with the idea of alternate realities... Every time you open 1Q84, you get the sensation of falling down the rabbit hole, into a unique and addictive world

Sunday Express

An extraordinary love story. Murakami is renowned for his exceptional imagination and this book does not disappoint; he weaves a myriad of worlds, beliefs and themes together in a moving combination. Compelling and bewildering, there's nonetheless something profoundly human and stark in simplicity at the heart of this love story: the power of true love.

Aesthetica

1Q84 has a range and sophistication that surpasses anything else in his oeuvre. It is his most achieved novel; an epic in which form and content are neatly aligned... So like Murakami himself, I'll borrow from Orwell: 1Q84 is quite simply doubleplusgood

Independent on Sunday

1Q84 is an extraordinary feat of sustained imagination

Evening Standard

[One of] .. the best books to really get your teeth into this winter... Part thriller, part love story, the first print run sold out in one day in the author's native Japan

Grazia

Fans, however, will recognise many elements in this fantastical tale, which at its twisted heart is another boy-meets-girl love story but which encompasses the ominous power of cults, a teasing preoccupation with quotidian mundanity, a sackload of music and literature references and a healthy dose of the downright bizarre.

Siobhan Murphy, Metro

Masterful… Nine hundred and twenty-five pages of riveting, intriguing, irresistible journeying through the characters’…interior worlds

David Carless, Psychologist

Weird and wonderful characters…the prose is beautiful, moving and the story is fascinating. Highly recommended

Helena Lang, Sainsbury's Magazine