The Help Film Tie In

Author: Kathryn Stockett

Extract

Extract

The next evening, I'm working upstairs in my room, banging the keys on my Corona. Suddenly I hear Mother hit the stairs running. In two sec­onds she's made it in my room. 'Eugenia!' she whispers.

I stand so fast my chair teeters, trying to guard the contents of my type­ writer. 'Yes ma'am?'

'Now don't panic but there is a man-a very tall man-downstairs to see you.'

'Who?'

'He says his name is Stuart Whitworth.'

'What?'

'He said y'all spent an evening together awhile back but how can that be, I didn't know anything-'

'Christ.'

'Don't take the Lord's name in vain, Eugenia Phelan. Just put some lipstick on.'

'Believe me, Mama,' I say, putting on lipstick anyway. 'Jesus wouldn't like him either.'

I brush my hair because I know it's awful. I even wash the typewriter ink and correcting fluid off my hands and elbows. But I won't change clothes, not for him.

Mother gives me a quick up and down in my dungarees and Daddy's old button-up white shirt. 'Is he a Greenwood Whitworth or a Natchez?'

'He's the state senator's son.'

Mother's jaw drops so far it hits her string of pearls. I go down the stairs, past the assembly of our childhood portraits. Pictures of Carlton line the wall, taken up until about the day before yesterday. Pictures of me stop when I was twelve. 'Mother, give us some privacy.' I watch as she slowly drags herself back to her room, glancing over her shoulder before she disappears.

I walk out onto the porch, and there he is. Three months after our date, there is Stuart Whitworth himself, standing on my front porch in khaki pants and a blue coat and a red tie like he's ready for Sunday dinner.

Asshole.

'What brings you here?' I ask. I don't smile though. I'm not smiling at him.

'I just. . . I wanted to drop by.'

'Well. Can I get you a drink?' I ask. 'Or should I just get you the entire bottle of Old Kentucky?'

He frowns. His nose and forehead are pink, like he's been working in the sun. 'Look, I know it was . . . a long while back, but I came out here to say I'm sorry.'

'Who sent you-Hilly? William?' There are eight empty rocking chairs on my porch. I don't ask him to sit in any of them.

He looks off at the west cotton field where the sun is dipping into the dirt. He shoves his hands down in his front pockets like a twelve-year-old boy. 'I know I was. . . rude that night, and I've been thinking about it a lot and. . .'

I laugh then. I'm just so embarrassed that he would come out here and have me relive it.

'Now look,' he says, 'I told Hilly ten times I wasn't ready to go out on any date. I wasn't even close to being ready. . .'

I grit my teeth. I can't believe I feel the heat of tears; the date was months ago. But I remember how secondhand I'd felt that night, how ridiculously fixed up I'd gotten for him. 'Then why'd you even show up?'

'I don't know.' He shakes his head. 'You know how Hilly can be.'

I stand there waiting for whatever it is he's here for. He runs a hand through his light brown hair. It is almost wiry it's so thick. He looks tired.

I look away because he's cute in an overgrown boy kind of way and it's not something I want to be thinking right now. I want him to leave-I don't want to feel this awful feeling again, yet I hear myself saying, 'What   do you mean, not ready?'

'Just not ready. Not after what happened.'

I stare at him. 'You want me to guess?'

'Me and Patricia van Devender. We got engaged last year and then. . . I thought you knew.'

He sinks down in a rocking chair. I don't sit next to him. But I don't tell him to leave either.

'What, she ran off with someone else?'

'Shoot.' He drops his head down into his hands, mumbles, 'That'd be a goddamn Mardi Gras party compared to what happened.'

I don't let myself say to him what I'd like to, that he probably deserved whatever she did, but he's just too pathetic-looking. Now that all his good ole boy, tough bourbon talk has evaporated, I wonder if he's this pathetic all the time.

'We'd been dating since we were fifteen. You know how it is, when you've been steady with somebody that long.'

And I don't know why I admit this, except that I simply have nothing to lose. 'Actually, I wouldn't know,' I say. 'I've never dated anybody.'

He looks up at me, kind of laughs. 'Well, that must be it, then.'

'Be what?' I steel myself, recalling fertilizer and tractor references.

'You're . . . different. I've never met anybody that said exactly what they were thinking. Not a woman, anyway.'

'Believe me, I had a lot more to say.'

He sighs. 'When I saw your face, out there by the truck... I'm not that guy. I'm really not such a jerk.'

I look away, embarrassed. It's just starting to hit me what he said, that even though I'm different, maybe it's not in a strange way or an abnormal, tall-girl way. But maybe in a good way.

'I came by to see if you'd like to come downtown with me for supper. We could talk,' he says and stands up. 'We could . . . I don't know, listen to each other this time.'

I stand there, shocked. His eyes are blue and clear and fixed on me like my answer might really mean something to him. I take in a deep breath, about to say yes-I mean, why would I of all people refuse-and he bites his bottom lip, waiting.

And then I think about how he treated me like I was nothing. How he got shit-dog drunk he was so miserable to be stuck with me. I think about how he told me I smelled like fertilizer. It took me three months to stop thinking about that comment.

'No,' I blurt out. 'Thank you. But I really can't imagine anything worse.'

He nods, looks down at his feet. Then he goes down the porch steps.

'I'm sorry,' he says, the door to his car open. 'That's what I came to say and, well, I guess I said it.'

I stand on the porch, listening to the hollow sounds of the evening, gravel under Stuart's shifting feet, dogs moving in the early darkness. For a second, I remember Charles Gray, my only kiss in a lifetime. How I'd pulled away, somehow sure the kiss hadn't been intended for me.

Stuart gets in his car and his door clicks shut. He props his arm up so his elbow pokes through the open window. But he keeps his eyes turned down.

'Just give me a minute,' I holler out to him. 'Let me get my sweater.'

 

No one tells us, girls who don't go on dates, that remembering can be almost as good as what actually happens. Mother climbs all the way to the third floor and stands over me in my bed, but I act like I'm still asleep. Because I just want to remember it awhile.

We'd driven to the Robert E. Lee for dinner last night. I'd thrown on a light blue sweater and a slim white skirt. I'd even let Mother brush out my hair, trying to drown out her nervous, complicated instructions.

'And don't forget to smile. Men don't want a girl who's moping around all night, and don't sit like some squaw Indian, cross your-'

'Wait, my legs or my ank-'

'Your ankles. Don't you remember anything from Missus Rheimer's eti­quette class? And just go ahead and lie and tell him you go to church every Sunday, and whatever you do, do not crunch your ice at the table, it's awful. Oh, and if the conversation starts to lag, you tell him about our second cousin who's a city councilman in Kosciusko . . .'

As she brushed and smoothed and brushed and smoothed, Mother kept asking how I'd met him and what happened on our last date, but I man­aged to scoot out from under her and dash down the stairs, shaking with wonder and nervousness of my own. By the time Stuart and I walked into the hotel and sat down and put our napkins in our lap, the waiter said they'd be closing soon. All they'd serve us was dessert.

Then Stuart had gotten quiet.

'What . . . do you want, Skeeter?' he'd asked and I'd sort of tensed up then, hoping he wasn't planning on getting drunk again.

'I'll have a Co-Cola. Lots of ice.'

'No.' He smiled. 'I mean... in life. What do you want?'

I took a deep breath, knowing what Mother would advise me to say: fine, strong kids, a husband to take care of, shiny new appliances to cook tasty yet healthful meals in. 'I want to be a writer,' I said. 'A journalist. Maybe a novelist. Maybe both.'

He lifted his chin and looked at me then, right in the eye.

'I like that,' he said, and then he just kept staring. 'I've been thinking about you. You're smart, you're pretty, you're' -he smiled-'tall.'

Pretty?

We ate strawberry souffles and had one glass of Chablis apiece. He talked about how to tell if there's oil underneath a cotton field and I talked about how the receptionist and I were the only females working for the paper.

'I hope you write something really good. Something you believe in.'

'Thank you. I... hope so too.' I don't say anything about Aibileen or Missus Stein.

I haven't had the chance to look at too many men's faces up close and I noticed how his skin was thicker than mine and a gorgeous shade of toast; the stiff blond hairs on his cheeks and chin seemed to be growing before my eyes. He smelled like starch. Like pine. His nose wasn't so pointy after all.

The waiter yawned in the corner but we both ignored him and stayed and talked some more. And by the time I was wishing I'd washed my hair this morning instead of just bathed and was practically doubled over with gratefulness that I'd at least brushed my teeth, out of the blue, he kissed me. Right in the middle of the Robert E. Lee Hotel Restaurant, he kissed me so slowly with an open mouth and every single thing in my body-my skin, my collarbone, the hollow backs of my knees, everything inside of me filled up with light.

Also by Kathryn Stockett

Book Cover: The Help

The book that has taken the US and UK by storm.

Enter a vanished and unjust world: Jackson, Mississippi, 1962. Where black maids raise white children, but aren't trusted not to steal the silver...

There's Aibileen, raising her seventeenth white child and nursing the hurt caused by her own son's tragic death; Minny, whose cooking is nearly as sassy as her tongue; and white Miss Skeeter, home from College...

The book that has taken the US and UK by storm.

Enter a vanished and unjust world: Jackson, Mississippi, 1962. Where black maids raise white children, but aren't trusted not to steal the silver...

There's...

Published: 30/08/2010
Format: Paperback
ISBN: 9780241950807
RRP: $24.95
Published:02/08/2011
Format:Paperback, 466 pages
RRP:$19.95
ISBN-13:9780241956533
ISBN-10:0241956536
Publisher:Penguin UK

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25 May 2012
Australian Society of Authors 2012 Barbara Jefferis Award - winner

All That I Am by Anna Funder has won the Barbara Jefferis Award.

The award is offered annually for “the best novel written by an Australian author that depicts women and girls in a positive way or otherwise empowers the status of women and girls in society”.

Anna beat fellow Miles Franklin contenders Foal's Bread and Cold Light.

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